我是棕色的,我很聪明:利用集体叙事来打破以白人为中心的成功女孩形象

Eunice Gaerlan, Yael Cameron
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摘要

重新认识 "失败的棕色女孩 "到 "成功的棕色女孩 "意味着什么?本文借鉴了对新西兰奥特亚罗瓦学业成功的少女进行实证研究的结果。在本文中,我们重点探讨了在当代以白人为中心的功成名就观念和 "棕色女孩不聪明 "的压迫性叙事背景下,成为一名聪明、成功的棕色年轻女性意味着什么。本文采用劳雷尔-理查森(Laurel Richardson)的 "集体讲故事"(collective storying)和帕特里夏-利维(Patricia Leavy)的 "基于小说的研究"(fiction-based research)这一创造性方法,进行创造性分析实践和新知识表述,优先考虑真实的声音和对年轻女性参与者生活经历的理解。研究中使用了集体故事来挑战现有的关于女孩和成功的公共论述,包括以白人为中心的描述,并创造出参与者能够认同的叙事,特别是那些通常不为人知但却广泛经历的叙事。在研究中使用集体故事为参与者提供了一个共鸣空间,他们可以在研究过程中参与故事,并为故事的(再)叙事做出贡献。方法论创造性的理论与成功少女时代殖民定位的象征性暴力之间的相互作用,为少女时代研究做出了新的贡献。通过集体叙事和诗歌声音的进一步交织,对赤字叙事的破坏提供了对棕色成功的记忆和重新确认。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I'm brown and I'm bright: Using collective storying to disrupt the white‐centering of successful girlhood
What might it mean to reimagine brown‐girl‐as‐failure to brown‐girl‐as‐success? This article draws on findings from an empirical research study of academically successful teenage girls from Aotearoa New Zealand. In this paper we focus on what it means to be an intelligent and successful young brown woman in the context of the contemporary white‐centering of meritocratic success, and the oppressive narrative that brown girls are not bright. Using a creative methodology, Laurel Richardson's collective storying and Patricia Leavy's fiction‐based research, the paper engages in forms of creative analytic practice and new knowledge representation, which prioritize authentic voice and understanding of the young women participants' lived experiences. Collective stories were used in the study to challenge existing public discourses of girls and success, including the white‐centering of such depictions, and to create narratives that participants could identify with, particularly those that were often unspoken but widely experienced. Using collective stories in the study offered a space of resonance with participants who could engage with the stories during the research process and contribute to their (re)storying. The interplay between the theoretics of methodological creativity and the symbolic violence of a colonial positioning of successful girlhood offers a novel contribution to girlhood studies. Through collective storying and a further interweaving of poetic voice, the disruption of the narrative of deficit offers remembering and revalidation of brown success.
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