{"title":"判断人群自然图像中的情绪","authors":"Susan Hao, David Whitney, Sonia J Bishop","doi":"10.1037/emo0001358","DOIUrl":null,"url":null,"abstract":"<p><p>It has been suggested that humans use summary statistics such as the average of the emotion of individual faces when they rapidly judge group emotion. Previous studies have mainly used faces of actors posing basic emotions, and morphed versions of these faces, against a plain background. In the present study, photographs taken in real-world settings were used to investigate the influence of mean facial emotion, maximal facial emotion, and background context on judgments of group emotion, assessed using dimensional ratings of valence, arousal, and dominance. Background context explained a significant amount of unique variance in group ratings for each dimension. Mean emotion explained additional unique variance for valence ratings, whereas maximal emotion explained additional unique variance for arousal, with dominance showing more mixed results. Removing background context and disrupting the contextual and spatial relationship between faces by randomly replacing faces with ones from other images within the stimulus set increased reliance on mean emotion. However, under all conditions, the maximally arousing face continued to exert an influence on ratings of group arousal, in line with theoretical accounts arguing for a unique bottom-up effect of emotional arousal on attentional competition and postattentive perceptual processing. Together these findings suggest that individuals' reliance on average emotion when judging crowd scenes differs as a function of the dimension of affect. In addition, the presence of background context both directly impacts judgments of crowd emotion and modulates the relative influence of maximal versus mean emotion on these judgments. (PsycInfo Database Record (c) 2025 APA, all rights reserved).</p>","PeriodicalId":48417,"journal":{"name":"Emotion","volume":" ","pages":"57-69"},"PeriodicalIF":3.4000,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Judging emotion in natural images of crowds.\",\"authors\":\"Susan Hao, David Whitney, Sonia J Bishop\",\"doi\":\"10.1037/emo0001358\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>It has been suggested that humans use summary statistics such as the average of the emotion of individual faces when they rapidly judge group emotion. Previous studies have mainly used faces of actors posing basic emotions, and morphed versions of these faces, against a plain background. In the present study, photographs taken in real-world settings were used to investigate the influence of mean facial emotion, maximal facial emotion, and background context on judgments of group emotion, assessed using dimensional ratings of valence, arousal, and dominance. Background context explained a significant amount of unique variance in group ratings for each dimension. Mean emotion explained additional unique variance for valence ratings, whereas maximal emotion explained additional unique variance for arousal, with dominance showing more mixed results. Removing background context and disrupting the contextual and spatial relationship between faces by randomly replacing faces with ones from other images within the stimulus set increased reliance on mean emotion. However, under all conditions, the maximally arousing face continued to exert an influence on ratings of group arousal, in line with theoretical accounts arguing for a unique bottom-up effect of emotional arousal on attentional competition and postattentive perceptual processing. Together these findings suggest that individuals' reliance on average emotion when judging crowd scenes differs as a function of the dimension of affect. In addition, the presence of background context both directly impacts judgments of crowd emotion and modulates the relative influence of maximal versus mean emotion on these judgments. (PsycInfo Database Record (c) 2025 APA, all rights reserved).</p>\",\"PeriodicalId\":48417,\"journal\":{\"name\":\"Emotion\",\"volume\":\" \",\"pages\":\"57-69\"},\"PeriodicalIF\":3.4000,\"publicationDate\":\"2025-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Emotion\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1037/emo0001358\",\"RegionNum\":2,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"2024/8/29 0:00:00\",\"PubModel\":\"Epub\",\"JCR\":\"Q1\",\"JCRName\":\"PSYCHOLOGY, EXPERIMENTAL\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Emotion","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1037/emo0001358","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/8/29 0:00:00","PubModel":"Epub","JCR":"Q1","JCRName":"PSYCHOLOGY, EXPERIMENTAL","Score":null,"Total":0}
引用次数: 0
摘要
有人认为,人类在快速判断群体情绪时,会使用诸如单个人脸情绪平均值之类的汇总统计数据。以前的研究主要使用的是演员在普通背景下摆出基本情绪的脸部表情和这些脸部表情的变形版本。在本研究中,我们使用在真实世界环境中拍摄的照片来研究平均面部情绪、最大面部情绪和背景环境对群体情绪判断的影响。在每个维度的群体评分中,背景情境都能解释大量的独特变异。平均情绪解释了情绪评分的额外独特方差,而最大情绪解释了唤醒评分的额外独特方差,主导地位的结果则较为复杂。通过随机替换刺激集中其他图像中的人脸来移除背景并破坏人脸之间的上下文和空间关系,会增加对平均情绪的依赖。然而,在所有条件下,唤醒程度最高的面孔都会继续影响对群体唤醒程度的评价,这与情绪唤醒对注意竞争和注意后知觉加工的独特自下而上效应的理论观点是一致的。这些研究结果共同表明,个体在判断人群场景时对平均情绪的依赖因情绪维度的不同而不同。此外,背景情境的存在既会直接影响对人群情绪的判断,也会调节最大情绪与平均情绪对这些判断的相对影响。(PsycInfo Database Record (c) 2024 APA, 版权所有)。
It has been suggested that humans use summary statistics such as the average of the emotion of individual faces when they rapidly judge group emotion. Previous studies have mainly used faces of actors posing basic emotions, and morphed versions of these faces, against a plain background. In the present study, photographs taken in real-world settings were used to investigate the influence of mean facial emotion, maximal facial emotion, and background context on judgments of group emotion, assessed using dimensional ratings of valence, arousal, and dominance. Background context explained a significant amount of unique variance in group ratings for each dimension. Mean emotion explained additional unique variance for valence ratings, whereas maximal emotion explained additional unique variance for arousal, with dominance showing more mixed results. Removing background context and disrupting the contextual and spatial relationship between faces by randomly replacing faces with ones from other images within the stimulus set increased reliance on mean emotion. However, under all conditions, the maximally arousing face continued to exert an influence on ratings of group arousal, in line with theoretical accounts arguing for a unique bottom-up effect of emotional arousal on attentional competition and postattentive perceptual processing. Together these findings suggest that individuals' reliance on average emotion when judging crowd scenes differs as a function of the dimension of affect. In addition, the presence of background context both directly impacts judgments of crowd emotion and modulates the relative influence of maximal versus mean emotion on these judgments. (PsycInfo Database Record (c) 2025 APA, all rights reserved).
期刊介绍:
Emotion publishes significant contributions to the study of emotion from a wide range of theoretical traditions and research domains. The journal includes articles that advance knowledge and theory about all aspects of emotional processes, including reports of substantial empirical studies, scholarly reviews, and major theoretical articles. Submissions from all domains of emotion research are encouraged, including studies focusing on cultural, social, temperament and personality, cognitive, developmental, health, or biological variables that affect or are affected by emotional functioning. Both laboratory and field studies are appropriate for the journal, as are neuroimaging studies of emotional processes.