{"title":"虚假信息的声音:TikTok、计算宣传和入侵乌克兰","authors":"Marcus Bösch, Tom Divon","doi":"10.1177/14614448241251804","DOIUrl":null,"url":null,"abstract":"TikTok has emerged as a powerful platform for the dissemination of mis- and disinformation about the war in Ukraine. During the initial three months after the Russian invasion in February 2022, videos under the hashtag #Ukraine garnered 36.9 billion views, with individual videos scaling up to 88 million views. Beyond the traditional methods of spreading misleading information through images and text, the medium of sound has emerged as a novel, platform-specific audiovisual technique. Our analysis distinguishes various war-related sounds utilized by both Ukraine and Russia and classifies them into a mis- and disinformation typology. We use computational propaganda features—automation, scalability, and anonymity—to explore how TikTok’s auditory practices are exploited to exacerbate information disorders in the context of ongoing war events. These practices include reusing sounds for coordinated campaigns, creating audio meme templates for rapid amplification and distribution, and deleting the original sounds to conceal the orchestrators’ identities. We conclude that TikTok’s recommendation system (the “for you” page) acts as a sound space where exposure is strategically navigated through users’ intervention, enabling semi-automated “soft” propaganda to thrive by leveraging its audio features.","PeriodicalId":19149,"journal":{"name":"New Media & Society","volume":"52 1","pages":""},"PeriodicalIF":4.5000,"publicationDate":"2024-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The sound of disinformation: TikTok, computational propaganda, and the invasion of Ukraine\",\"authors\":\"Marcus Bösch, Tom Divon\",\"doi\":\"10.1177/14614448241251804\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"TikTok has emerged as a powerful platform for the dissemination of mis- and disinformation about the war in Ukraine. During the initial three months after the Russian invasion in February 2022, videos under the hashtag #Ukraine garnered 36.9 billion views, with individual videos scaling up to 88 million views. Beyond the traditional methods of spreading misleading information through images and text, the medium of sound has emerged as a novel, platform-specific audiovisual technique. Our analysis distinguishes various war-related sounds utilized by both Ukraine and Russia and classifies them into a mis- and disinformation typology. We use computational propaganda features—automation, scalability, and anonymity—to explore how TikTok’s auditory practices are exploited to exacerbate information disorders in the context of ongoing war events. These practices include reusing sounds for coordinated campaigns, creating audio meme templates for rapid amplification and distribution, and deleting the original sounds to conceal the orchestrators’ identities. We conclude that TikTok’s recommendation system (the “for you” page) acts as a sound space where exposure is strategically navigated through users’ intervention, enabling semi-automated “soft” propaganda to thrive by leveraging its audio features.\",\"PeriodicalId\":19149,\"journal\":{\"name\":\"New Media & Society\",\"volume\":\"52 1\",\"pages\":\"\"},\"PeriodicalIF\":4.5000,\"publicationDate\":\"2024-08-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Media & Society\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/14614448241251804\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Media & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/14614448241251804","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
The sound of disinformation: TikTok, computational propaganda, and the invasion of Ukraine
TikTok has emerged as a powerful platform for the dissemination of mis- and disinformation about the war in Ukraine. During the initial three months after the Russian invasion in February 2022, videos under the hashtag #Ukraine garnered 36.9 billion views, with individual videos scaling up to 88 million views. Beyond the traditional methods of spreading misleading information through images and text, the medium of sound has emerged as a novel, platform-specific audiovisual technique. Our analysis distinguishes various war-related sounds utilized by both Ukraine and Russia and classifies them into a mis- and disinformation typology. We use computational propaganda features—automation, scalability, and anonymity—to explore how TikTok’s auditory practices are exploited to exacerbate information disorders in the context of ongoing war events. These practices include reusing sounds for coordinated campaigns, creating audio meme templates for rapid amplification and distribution, and deleting the original sounds to conceal the orchestrators’ identities. We conclude that TikTok’s recommendation system (the “for you” page) acts as a sound space where exposure is strategically navigated through users’ intervention, enabling semi-automated “soft” propaganda to thrive by leveraging its audio features.
期刊介绍:
New Media & Society engages in critical discussions of the key issues arising from the scale and speed of new media development, drawing on a wide range of disciplinary perspectives and on both theoretical and empirical research. The journal includes contributions on: -the individual and the social, the cultural and the political dimensions of new media -the global and local dimensions of the relationship between media and social change -contemporary as well as historical developments -the implications and impacts of, as well as the determinants and obstacles to, media change the relationship between theory, policy and practice.