我为何生于镜中？西蒙-斯通《叶尔玛》中的超（不）可见性

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI:10.1080/10486801.2024.2316805

Melissa Lin Sturges

引用次数: 0

摘要

西蒙-斯通改编自洛尔卡的《叶尔玛》于2017年在伦敦青年维克剧场首演，该剧将叶尔玛重新视为21世纪的一位无名女性，她的名字只被称为 "HER"。利用洛尔卡的剧本，...

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

‘Why Was I Born Among Mirrors?’: Hyper-(In)visibility in Simon Stone’s Yerma

Simon Stone’s adaptation of Yerma, after Lorca, which premiered at the Young Vic in London 2017, reconsiders Yerma as an anonymous twenty-first-century woman known only as HER. Using Lorca’s play, ...

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.