高校器乐课中的教师反馈

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Gary E. McPherson, Jennifer Blackwell
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引用次数: 0

摘要

教师的反馈是帮助学生了解自己目前的成绩水平以及如何提高成绩的不可或缺的组成部分。本研究以教育心理学文献为基础,采用 Hattie 和 Timperley 开发的框架来探讨如何在工作室器乐课程中使用不同类型的反馈。在这项研究中,我们调查了经验丰富的大学工作室器乐教师(6 人)和他们的学生(18 人)对反馈的使用情况。结果表明,约 83% 的教师评语被归类为 "反馈"(即对学生刚才演奏的反思),而集中于 "前馈"(16%)提高演奏水平的策略和 "上馈"(1%)目标设定的评语则少得多。85% 的反馈意见是对学生刚刚完成的任务进行的评论,与之形成鲜明对比的是过程层面的反馈意见(9%),它提供了改进下一次表现尝试的策略,以及自我调节意见(1%),它提示学习者监督和控制自己的表现。对这些结果的讨论包括课堂和工作室教学实践的比较,以及如何提高器乐教师为学生提供更有针对性和更有效反馈的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Teacher Feedback in Collegiate Instrumental Music Lessons
Teacher feedback is an integral component of helping students understand their current level of achievement and what they can do to improve their performance. This study built on literature in educational psychology by adopting a framework developed by Hattie and Timperley to explore how different types of feedback are used in studio instrumental lessons. For this study, we investigated the use of feedback of highly experienced collegiate instrumental studio music teachers ( N = 6) and their students ( N = 18). Results indicated that around 83% of all teacher comments were classified as “feed-back” (i.e., reflections on what the student just played), with far fewer focused on “feed-forward” (16%) strategies for improving performance and “feed-up” (<1%) goal setting. Task-level comments on what the student had just done comprised 85% of the feedback, in contrast to process-level (9%) feedback that provides strategies for improving the next performance attempt and self-regulation comments (<1%) that cue the learner to monitor and control their own performance. Discussion of these results include comparisons between classroom and studio teaching practices and ways of refining instrumental teachers’ abilities to provide more targeted and effective feedback to their students.
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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