伊博米纳地区埃贡贡-埃利韦服饰的艺术与美学分析

Adeoti A. A., Odetayo D. O.
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引用次数: 0

摘要

埃贡贡(Egungun)被认为是已故祖先的显灵,他们偶尔会在节日期间重访生者。在这种拜访中,"埃贡贡 "会身着美丽的服饰,成为吸引人的化身。尽管对约鲁巴地区的埃贡贡进行了一些研究,但对这种埃贡贡还没有进行全面的研究,因此造成了这一艺术史领域文献的匮乏,从而使对伊博莫纳地区埃贡贡-埃利韦服饰的研究无法深入。本研究的目标是对伊博莫纳地区的埃贡贡-埃利韦进行艺术和美学分析,旨在弘扬约鲁巴装饰艺术,将研究成果载入史册。本研究采用描述性方法,对埃贡贡-埃利韦服饰的每一件物品都进行了定性分析。研究结果表明,伊博米纳地区埃贡贡-埃利韦的作用、功能和文化意义具有不同于非洲其他地区其他形式埃贡贡的审美特质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Artistic and Aesthetics Analysis of the Costume of Egungun Elewe in Igbomina Land
Egungun is believed to be a visible appearance of the dead ancestors as spirits who occasionally revisit the living for festivals. During this visit, the egungun is clothed with beautiful attire that will become the embodiment of attraction. Despite several studies on egungun in Yoruba land, there is no comprehensive study on this type of egungun, thus creating a dearth of literature in this area of art history and thereby leaving in-depth research on the costumes of egungun elewe of Igbomona land. This study is targeted on the artistic and aesthetics analysis of egungun elewe of Igbomina land aiming to promote the Yoruba decorative art to document the findings in the annals of history. The study is descriptive as each of the items of the egungun elewe’s costume is analyzed using the qualitative method. Findings reveal that the role, functions, and cultural significance of the egungun elewe of Igbomina land have aesthetic qualities different from other forms of egungun known in other parts of Africa.
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