利用 Instagram 的增强现实(AR)"相机效应",通过自我展示媒介探究后人类主义

Muhammad Alzaki Tristi, Nisa Rizkya Andika
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引用次数: 0

摘要

Instagram上的增强现实相机特效功能为用户提供了无拘无束的创作、实验和分享视觉内容的自由,从而展现出多样化的自我形象。值得注意的是,印尼在2022年Instagram用户数量方面排名全球第四,其对AR相机特效功能的采用也非常引人注目,这表明新媒体技术的应用正在迅速发展。本研究探讨了用户如何利用这项技术重新定义自己的身份并超越传统的人类界限。通过案头研究法,本研究分析了 Instagram 上的 "相机特效 "功能,将其作为理解自我呈现现象和探索后人类主义概念的焦点。通过参考弗兰克-韦伯斯特(Frank Webster)的信息社会理论和文献中的后人类概念,本研究揭示了 Instagram 上的 AR 功能是一种强大的自我呈现文化媒介,克服了印尼社会中人与技术之间的限制。自我表述在后人类主义中至关重要,而 AR 技术可以探索和尝试不同的身份和表达方式。因此,Instagram 的 AR 技术为用户提供了表现自我的新方式,改变了表现和自我认同的范式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Investigating Posthumanism through the Medium of Self-Representation Using Instagram's Augmented Reality (AR) "Camera Effect"
The Augmented Reality camera effects feature on Instagram provides users with the freedom to create, experiment, and share visual content without limitations, thereby presenting diverse self-images. Remarkably, Indonesia, ranking fourth globally in terms of Instagram users in 2022, demonstrates remarkable adoption of this AR camera effects feature, indicating rapid adoption of new media technology. This research investigates how users engage with this technology to redefine their identities and transcend traditional human boundaries. Through a desk study method, this study analyzes the "Camera Effect" feature on Instagram as a focal point for understanding the phenomenon of self-representation and exploring the concept of posthumanism. By referencing Frank Webster's theory of information society and the posthuman concept in literature, this research reveals that the AR feature on Instagram is a powerful cultural medium for self-representation, overcoming limitations between humans and technology in Indonesian Society. Self-representation becomes pivotal in posthumanism, and AR technology enables exploration and experimentation of diverse identities and expressions. Thus, Instagram's AR technology provides users with new ways to represent themselves, transforming the paradigm of representation and self-identity.
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