{"title":"在数字平台上创造世界:社交媒体上的古巴喜剧研究","authors":"Mariela Morales-Suárez","doi":"10.1177/13678779241263604","DOIUrl":null,"url":null,"abstract":"This article studies the digital-cultural labor of three Cuban Instagram comedians and the worldmaking they promote. The comedians, Marlon, Chupetin, and Kende, immensely popular among Cuban audiences, create content that centers their Black working-class and street-smart identity. Through a close analysis of how these comedians utilize performance as rhetorical tools, I examine the entanglements and possibilities that marginalized content creators face when making symbolic and embodied meaning not sanctioned by the nation-state's meta-narratives of normative identity. I draw on theories of performance studies, media anthropology and Caribbean studies, to conceptualize the political, cultural, and personal stakes that come with the ‘world-making’ labor of Cuban Instagram comedians. I argue performances of estranged ways of being, distributed through transnational digital networks, enact aspirations of redressing long-standing desires and anxieties about national identity and personal agency. Ultimately this article situates social media platforms as vital spaces of worldmaking in a digital era.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2024-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Worldmaking on digital platforms: A study of Cuban comedy in social media\",\"authors\":\"Mariela Morales-Suárez\",\"doi\":\"10.1177/13678779241263604\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article studies the digital-cultural labor of three Cuban Instagram comedians and the worldmaking they promote. The comedians, Marlon, Chupetin, and Kende, immensely popular among Cuban audiences, create content that centers their Black working-class and street-smart identity. Through a close analysis of how these comedians utilize performance as rhetorical tools, I examine the entanglements and possibilities that marginalized content creators face when making symbolic and embodied meaning not sanctioned by the nation-state's meta-narratives of normative identity. I draw on theories of performance studies, media anthropology and Caribbean studies, to conceptualize the political, cultural, and personal stakes that come with the ‘world-making’ labor of Cuban Instagram comedians. I argue performances of estranged ways of being, distributed through transnational digital networks, enact aspirations of redressing long-standing desires and anxieties about national identity and personal agency. Ultimately this article situates social media platforms as vital spaces of worldmaking in a digital era.\",\"PeriodicalId\":47307,\"journal\":{\"name\":\"International Journal of Cultural Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2024-07-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/13678779241263604\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13678779241263604","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Worldmaking on digital platforms: A study of Cuban comedy in social media
This article studies the digital-cultural labor of three Cuban Instagram comedians and the worldmaking they promote. The comedians, Marlon, Chupetin, and Kende, immensely popular among Cuban audiences, create content that centers their Black working-class and street-smart identity. Through a close analysis of how these comedians utilize performance as rhetorical tools, I examine the entanglements and possibilities that marginalized content creators face when making symbolic and embodied meaning not sanctioned by the nation-state's meta-narratives of normative identity. I draw on theories of performance studies, media anthropology and Caribbean studies, to conceptualize the political, cultural, and personal stakes that come with the ‘world-making’ labor of Cuban Instagram comedians. I argue performances of estranged ways of being, distributed through transnational digital networks, enact aspirations of redressing long-standing desires and anxieties about national identity and personal agency. Ultimately this article situates social media platforms as vital spaces of worldmaking in a digital era.
期刊介绍:
International Journal of Cultural Studies is committed to rethinking cultural practices, processes, texts and infrastructures beyond traditional national frameworks and regional biases. The journal publishes theoretical, empirical and historical analyses that interrogate what culture means, and what culture does, across global and local scales of power and action, diverse technologies and forms of mediation, and multiple dimensions of performance, experience and identity. Dedicated to theoretical and methodological innovation in cultural research, the journal is multidisciplinary in outlook, publishing relevant contributions that integrate approaches from the social sciences, humanities, information sciences and more. International Journal of Cultural Studies publishes original research articles. The journal gives preference to papers that extend existing theory or generate new theory through interpretive engagement with empirical cases. Papers based on single country case-studies should clearly indicate and develop the broader relevance of their analyses for an international readership. The journal does not publish close readings of single texts; but it does consider critical, contextualised readings that similarly indicate and develop the broader relevance of their analyses to the field. International Journal of Cultural Studies regularly publishes special issues on urgent questions in the field as well as on specific regions, industries and practices.