鞑靼舞台上的莫里哀

Elena N. Shevchenko
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引用次数: 0

摘要

在鞑靼民族戏剧艺术和鞑靼剧院的形成过程中,俄罗斯和外国经典戏剧发挥了重要作用。鞑靼剧院从成立之初就转向西方戏剧。在浩瀚的世界戏剧遗产中,莎士比亚、席勒和莫里哀的戏剧尤其受欢迎。在这三位伟大戏剧家中,莫里哀的作品数量排在第三位,但就对鞑靼戏剧文化发展的重要性而言,他并不逊色于英国和德国剧作家。莫里哀是鞑靼戏剧文化的奠基人;他的戏剧在革命前的三个剧团 "萨亚尔"、"努尔 "和 "希尔卡特 "上演。这位法国剧作家对年轻的鞑靼戏剧喜剧流派的形成产生了重大影响。莫里哀的剧本至今仍保留在他的海报上。文章探讨了鞑靼戏剧在不同发展阶段对莫里哀戏剧的接受情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Moliere on the Tatar stage
In the process of the formation of the Tatar national dramatic art and the formation of the Tatar theatre, Russian and foreign classics played a significant role. The Tatar theatre turned to Western drama from the first years of its existence. Of the vast world dramatic heritage, the plays of Shakespeare, Schiller and Moliere have proven to be in particular demand. In terms of the number of appeals in this triad of the greats, Moliere is in third place, however, he is not inferior to the English and German playwrights in terms of importance for the development of the Tatar theatrical culture. Moliere stood at its origins; his plays were staged in three pre-revolutionary troupes “Sayar”, “Nur” and “Shirkat”. The French playwright made a significant influence on the formation of the comedy genre line of the young Tatar theatre. Moliere's plays remain on his posters to this day. The article examines the reception of Moliere's dramaturgy by the Tatar theatre at various stages of its development.
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