塞缪尔-贝克特《终局》中的存在主义研究

Shulan Li
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引用次数: 0

摘要

终局》是塞缪尔-贝克特的代表作之一,体现了他对人生的哲学思考,展现了一幅无望而荒诞的世界图景。继《等待戈多》之后,《终局》是贝克特对西方现实和战后生活更为全面和彻底的反面描写。它也反映了战后西方人的精神危机和生存危机,表现了彻底的幻灭。已有研究从空间分析、现代主义戏剧、贝克特诗学等角度对这部作品进行了阐释。本文试图从存在主义的角度解读这部作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study of Existentialism in Samuel Beckett’s Endgame
Endgame is one of the masterpieces of Samuel Beckett, which embodies the philosophical thinking of life and presents a hopeless and absurd picture of the world. After Waiting for Godot, Endgame is Beckett's more comprehensive and thorough negative portrayal of the western reality and life after the war. It is also a reflection of the western spiritual crisis and survival crisis after the war, showing the complete disillusionment. Studies have been conducted to illustrate this work from the perspectives of spatial analysis, modernist drama, and Beckett's poetics. This paper attempts to interpret this work from the perspective of existentialism.
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