纪念性简历:北极的英国雕塑、伦敦的冰山、因纽特地图

IF 0.3 2区 艺术学 0 ART
Art History Pub Date : 2024-07-26 DOI:10.1093/arthis/ulae019
Mark A Cheetham
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引用次数: 0

摘要

十九世纪的全景图、绘画和雕塑、航海叙事以及悲剧性的因纽特人移植,都让伦敦人对北极着迷。1850 年代早期,数百名水手在北极地区寻找 1845 年失散的富兰克林探险队,他们以不朽的规模制作了不列颠尼亚和其他帝国人物的业余 "雪雕",但这些作品却鲜为人知,没有得到充分研究。与雕塑中的这次穿越相媲美的是,在一份议会海图中,一张匿名伊努克人绘制的富兰克林的船只在冰层中的图画与海军部批准的该地区的渲染图合并在一起。虽然这些交叉互动绘制了一条交流线路,但它们也缺乏一个中心。约翰-富兰克林、他的船员和他的两艘刚刚修复的船只是北极地区最明显的缺席者。在英国,北极的概念从未 "固定 "下来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Monumental Ephemera: British Sculpture in the Arctic, Icebergs in London, an Inuit Map
The Arctic fascinated Londoners in the nineteenth century in panoramas, paintings and sculptures, voyage narratives and—tragically—transplanted Inuit. What has not been fully examined are the little-known amateur ‘snow sculptures’ of Britannia and other imperial figures made on a monumental scale in the Arctic in the early 1850s, when hundreds of sailors were searching for the lost 1845 Franklin expedition. Comparable with this crossing in sculpture is the amalgamation in one Parliamentary chart of an anonymous Inuk’s drawing of Franklin’s ships in the ice with a rendering of the area approved by the Admiralty. While these chiasmic interactions map a circuit of exchange, they also lack a centre. The most conspicuous absence in the Arctic was John Franklin, his crew and his two recently-salvaged ships. In England, what was never ‘fixed’ was the idea of the Arctic.
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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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