加维乔-德-拉塞尔达的赞比西尼亚三部曲:葡萄牙殖民文学的曙光

Helder Thiago Maia
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摘要

Gavicho de Lacerda 的《赞比西尼亚三部曲》出版于 20 世纪 20 年代,是葡萄牙殖民时期莫桑比克题材文学的雏形之一。然而,除了内韦斯(2016 年)的论文之外,这些作品并未通过殖民文学会议(Concursos de Literatura Colonial)获得公众赞誉,也不属于近期出版的莫桑比克题材殖民文学作品(Noa,2002 年;Sousa,2013 年)。在本文中,通过对《Cartas da Zambézia》(1920 年)、《Costumes e Lendas da Zambézia》(1925 年)和《Figuras e Episódios da Zambézia》(1929 年)三本书的分析,我们试图了解作者是如何构建混血以及殖民者和被殖民者之间的关系的,正如我们试图推断非洲人口,尤其是未被同化的非洲人口的性别和性视角一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A trilogia zambeziana de Gavicho de Lacerda: O alvorecer da literatura colonial portuguesa
The Zambezian trilogy, by Gavicho de Lacerda, published in the 1920s, is part of the dawn of Portuguese colonial literature with a Mozambican theme. However, the works didn’t achieve public acclaim through the Concursos de Literatura Colonial, nor are they part of the corpus of recent publication on colonial literature with a Mozambican theme (Noa, 2002; Sousa, 2013), except for the thesis by Neves (2016). In this article, from the analysis of the books Cartas da Zambézia (1920), Costumes e Lendas da Zambézia (1925) and Figuras e Episódios da Zambézia (1929), we seek to understand how the author constructs miscegenation and the relations between colonizers and colonized, just as we seek to infer gender and sexuality perspectives on African populations, especially non-assimilated ones.
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