{"title":"\"无人见证和调整\"：学院依然岌岌可危","authors":"Juliana Spahr","doi":"10.5325/willcarlwillrevi.41.1.0021","DOIUrl":null,"url":null,"abstract":"\n This article is a response to Charles Bernstein’s “The Academy in Peril,” the essay in which he first uses the term “official verse culture.” Using Williams’s convoluted history with leftist magazines in the 1930s and 1940s as an example, it both agrees with Bernstein about their being an official verse and also points to how verse that is often unofficial is also official. It concludes with the author reflecting on poetry’s embeddedness in higher education and what that means for the future.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“No One to Witness and Adjust”: The Academy Still in Peril\",\"authors\":\"Juliana Spahr\",\"doi\":\"10.5325/willcarlwillrevi.41.1.0021\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article is a response to Charles Bernstein’s “The Academy in Peril,” the essay in which he first uses the term “official verse culture.” Using Williams’s convoluted history with leftist magazines in the 1930s and 1940s as an example, it both agrees with Bernstein about their being an official verse and also points to how verse that is often unofficial is also official. It concludes with the author reflecting on poetry’s embeddedness in higher education and what that means for the future.\",\"PeriodicalId\":53869,\"journal\":{\"name\":\"WILLIAM CARLOS WILLIAMS REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WILLIAM CARLOS WILLIAMS REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/willcarlwillrevi.41.1.0021\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WILLIAM CARLOS WILLIAMS REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/willcarlwillrevi.41.1.0021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"POETRY","Score":null,"Total":0}
引用次数: 0
摘要
本文是对查尔斯-伯恩斯坦（Charles Bernstein）的《岌岌可危的学院》（The Academy in Peril）一文的回应，在这篇文章中，伯恩斯坦首次使用了 "官方诗歌文化 "一词。文章以威廉姆斯在 20 世纪 30 年代和 40 年代与左派杂志的曲折历史为例，既同意伯恩斯坦关于官方诗歌的观点，又指出往往非官方的诗歌也是官方的。最后，作者反思了诗歌在高等教育中的嵌入性以及这对未来的意义。
“No One to Witness and Adjust”: The Academy Still in Peril
This article is a response to Charles Bernstein’s “The Academy in Peril,” the essay in which he first uses the term “official verse culture.” Using Williams’s convoluted history with leftist magazines in the 1930s and 1940s as an example, it both agrees with Bernstein about their being an official verse and also points to how verse that is often unofficial is also official. It concludes with the author reflecting on poetry’s embeddedness in higher education and what that means for the future.
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