Janardhan Juvvigunta, Sunil Kumar K., Bhargavi D Hemmige
{"title":"动画系列中的剪辑叙事话语:巴霍巴利-迷失传奇》研究","authors":"Janardhan Juvvigunta, Sunil Kumar K., Bhargavi D Hemmige","doi":"10.36941/mjss-2024-0040","DOIUrl":null,"url":null,"abstract":"The most prevalent storytelling methods in film and visual narratives involve editing techniques. From Edwin S. Porter, who experimented with temporal and spatial continuity in editing, to contemporary filmmakers who employ effective screenplay techniques, these methods have been crucial in conveying stories effectively. Animation stories are developed using a series of images and visual actions that are aligned effectively with editing narrative techniques. Therefore, the metaphors in animated movies represent a type of narrative editing techniques produced by multiple elements, as well as a mode of deduction based on real life (Hsien-Yuan Chiu, Wei-Lin Chu, 2019). This research paper focuses on how stories are crafted in the animated series \"Baahubali: The Lost Legends,\" a prequel to the well-known \"Baahubali: The Beginning\" and \"Baahubali: The Conclusion,\" both created in the animation genre. It closely examines how editing narrative techniques are employed to make the story interesting and engage the audience in the world of animation. The paper explores montage editing theory as it shapes scene changes, story progression, character development, and the alignment of shots in sequences to create an effective narrative. Furthermore, the research delves into the use of editing techniques to make comics engaging.\" \n \nReceived: 2 May 2024 / Accepted: 18 June 2024 / Published: 8 July 2024","PeriodicalId":90922,"journal":{"name":"Mediterranean journal of social sciences","volume":"110 17","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Discourse of Editing Narratives in Animated Series: A Study on Baahubali -The Lost Legends\",\"authors\":\"Janardhan Juvvigunta, Sunil Kumar K., Bhargavi D Hemmige\",\"doi\":\"10.36941/mjss-2024-0040\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The most prevalent storytelling methods in film and visual narratives involve editing techniques. From Edwin S. Porter, who experimented with temporal and spatial continuity in editing, to contemporary filmmakers who employ effective screenplay techniques, these methods have been crucial in conveying stories effectively. Animation stories are developed using a series of images and visual actions that are aligned effectively with editing narrative techniques. Therefore, the metaphors in animated movies represent a type of narrative editing techniques produced by multiple elements, as well as a mode of deduction based on real life (Hsien-Yuan Chiu, Wei-Lin Chu, 2019). This research paper focuses on how stories are crafted in the animated series \\\"Baahubali: The Lost Legends,\\\" a prequel to the well-known \\\"Baahubali: The Beginning\\\" and \\\"Baahubali: The Conclusion,\\\" both created in the animation genre. It closely examines how editing narrative techniques are employed to make the story interesting and engage the audience in the world of animation. The paper explores montage editing theory as it shapes scene changes, story progression, character development, and the alignment of shots in sequences to create an effective narrative. Furthermore, the research delves into the use of editing techniques to make comics engaging.\\\" \\n \\nReceived: 2 May 2024 / Accepted: 18 June 2024 / Published: 8 July 2024\",\"PeriodicalId\":90922,\"journal\":{\"name\":\"Mediterranean journal of social sciences\",\"volume\":\"110 17\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-07-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mediterranean journal of social sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36941/mjss-2024-0040\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mediterranean journal of social sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36941/mjss-2024-0040","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Discourse of Editing Narratives in Animated Series: A Study on Baahubali -The Lost Legends
The most prevalent storytelling methods in film and visual narratives involve editing techniques. From Edwin S. Porter, who experimented with temporal and spatial continuity in editing, to contemporary filmmakers who employ effective screenplay techniques, these methods have been crucial in conveying stories effectively. Animation stories are developed using a series of images and visual actions that are aligned effectively with editing narrative techniques. Therefore, the metaphors in animated movies represent a type of narrative editing techniques produced by multiple elements, as well as a mode of deduction based on real life (Hsien-Yuan Chiu, Wei-Lin Chu, 2019). This research paper focuses on how stories are crafted in the animated series "Baahubali: The Lost Legends," a prequel to the well-known "Baahubali: The Beginning" and "Baahubali: The Conclusion," both created in the animation genre. It closely examines how editing narrative techniques are employed to make the story interesting and engage the audience in the world of animation. The paper explores montage editing theory as it shapes scene changes, story progression, character development, and the alignment of shots in sequences to create an effective narrative. Furthermore, the research delves into the use of editing techniques to make comics engaging."
Received: 2 May 2024 / Accepted: 18 June 2024 / Published: 8 July 2024