人鱼传说的文化传播--概述定义和进一步研究人鱼传说的前景

Anna Reglińska-Jemioł
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摘要

本文旨在让读者了解波兰研究中相对较新且研究较少的美人鱼现象(穿着美人鱼尾巴潜水,一种将体育运动与艺术和娱乐形式相结合的活动)。这篇文章主要是尝试对与围绕这一现象的文化叙事(主要是媒体)相关的主题进行分类,同时考虑到被理解为 "奇观文本"(Patrice Pavis)元素的编排概念。之所以要进行这种比较,是因为我们希望从社会和文化传播的角度来看待表演编舞实践与其他领域(体育)的交叉点。拟议论述的基本研究方法是案例研究。通过对美人鱼表演的整体观察(分析主要美人鱼表演者的叙述、回顾粉丝论坛、关于美人鱼亚文化的电影纪录片),我们可以看到目前美人鱼形象(和服装)所界定的文化领域有多么广泛。因此,我们产生了研究冲动,想进一步询问美人鱼在蓝色人文概念领域中的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kulturowy przekaz syreningu – zarys definicji oraz perspektywy dalszych badań tego zjawiska
The aim of the presented article is to familiarize the reader with the relatively new and still little studied phenomenon of mermaiding (diving in a mermaid tail, an activity that combines sport with a form of art and entertainment) in Polish research. The text is primarily an attempt to categorize topics relating to the cultural narrative (mainly in media) focused around this phenomenon, taking into account the concept of choreography understood as an element of the “spectacle text” (Patrice Pavis). The idea of such a comparison results from the desire to view the points of intersection of show choreographic practices with other fields (sports) from the perspective of social and cultural communication. The basic research method of the proposed discourse is a case study. A holistic view of mermaiding (analysis of narratives of leading mermaid performers, review of fan forums, film documentaries about the merfolk subculture) allows us to see how broad a cultural area is currently defined by the figure (and costume) of a mermaid. Therefore the research impulse to ask further questions about the place of mermaiding in the conceptual field of blue humanities.
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