为有特殊教育需求的学校设计无障碍数字乐器--社会生态设计框架

Q1 Social Sciences
Andreas Förster , Norbert Schnell
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引用次数: 0

摘要

数字乐器(DMI)在特殊教育需求(SEN)学校的应用具有巨大潜力。DMI 可提供与学生生活经历相吻合的现代音乐体验,还可为那些在使用传统乐器时遇到各种障碍的人提供积极的音乐创作机会。目前,还没有针对特殊教育需要学校具体情况的多媒体教室设计框架。然而,研究表明,在设计方法中,使用环境比技术更重要。为了填补这一空白,我们将在一所特殊教育需要学校开展的为期一年的开发项目的成果整合到一个社会生态设计框架中。我们扩展了现有的 DMI 设计框架,以应对特殊教育需要学校的独特环境。我们提出的框架可作为规划和评估工具,为未来的设计项目提供参考点。它有助于确定哪些利益相关者需要参与,界定他们的角色,并包括在目标定义和设计过程中需要解决的其他方面。我们的研究结果强调了让学生、教师和助理等多方利益相关者参与设计过程的重要性。在这方面,我们发现利益相关者的个人利益与他们作为音乐家代言人的角色之间可能存在紧张关系,这可能对设计过程产生积极和消极的影响。我们的研究强调,利益相关者需要了解技术的使用、在满足学生的社会情感支持需求的同时有效使用乐器的教学策略,以及音乐知识,包括非古典音乐流派。我们建议将必要的技术、教学和音乐知识(TPACK)融入乐器本身,并通过教材和教师培训加以补充。此外,我们的研究还强调,针对不同的使用情况,在设计过程、设计决策和教学策略方面没有放之四海而皆准的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Designing accessible digital musical instruments for special educational needs schools—A social-ecological design framework

Designing accessible digital musical instruments for special educational needs schools—A social-ecological design framework

Digital musical instruments (DMIs) offer significant potential for use in special educational needs (SEN) schools. DMIs can provide access to contemporary musical experiences that align with students’ life experiences, as well as active music making for individuals experiencing various barriers to the use of conventional musical instruments. Currently, there is no design framework for DMIs that addresses the specific context of SEN schools. However, research suggests the importance of prioritizing the context of use over the technology in design approaches. To address this gap, we integrate the results of a year-long development project in a SEN school into a social-ecological design framework. We extend an existing DMI design framework to address the unique environment of SEN schools. Our proposed framework serves as a planning and evaluation tool, providing a reference point for future design projects. It helps to determine which stakeholders to involve, define their roles, and it includes additional aspects to address in the goal definition and design process. Our findings highlight the importance of involving multiple stakeholders in the design process, including students, teachers, and assistants. In this regard, we identified a potential tension between stakeholders’ personal interests and their role as advocates for the musicians, which can have both positive and negative effects on the design process. Our research underscores the need for stakeholders to understand the use of technology, pedagogical strategies for effectively using the instruments with individual students while meeting their social-emotional support needs, and musical knowledge, including non-classical music genres. We suggest that the necessary technical, pedagogical, and musical knowledge (TPACK) be inscribed into the instruments themselves and supplemented by educational materials and teacher training. Furthermore, our study emphasizes that there is no one-size-fits-all approach to the design process, design decisions, and pedagogical strategies for different use cases.

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CiteScore
7.20
自引率
0.00%
发文量
73
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