Davide Coniglio , Cosima D. Calvano , Rosaria A. Picca , Gioacchino Tempesta , Giovanni Ventura , Tommaso R.I. Cataldi
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Painting reconstructions of linseed oil mixed with common inorganic pigments such as chrome yellow and cadmium red were investigated for their content of suberic (C<sub>8</sub>), azelaic (C<sub>9</sub>), sebacic (C<sub>10</sub>), and undecanedioic (C<sub>11</sub>) acids. For the identification of these DFAs as unbounded species, retention time data followed by confirmation of their accurate <em>m/z</em> measurements and a detailed analysis of their fragmentation patterns via tandem MS were used. To estimate the quantity of DFAs, samples were spiked with a suitable internal standard before lipid extraction. This analytical strategy was successfully applied to three 50-year-old oil paintings, using samples of only a few milligrams (<em>i.e.</em>, 25–50 mg). Notably, a difference in DFA profiles was observed within the artwork, with yellow pigments exhibiting relatively lower content compared to red ones. Spectroscopic techniques revealed alterations relevant to the chemical composition of these pigments during the ageing process. Likely the chromate ion, a component of chrome yellow pigment, undergoes oxidation which may hinder the generation of hydroxyl and hydroperoxyl radicals by the Fenton reaction, as the iron catalyst naturally occurring in the drying oil is potentially affected.</p></div>","PeriodicalId":15480,"journal":{"name":"Journal of Cultural Heritage","volume":"68 ","pages":"Pages 287-297"},"PeriodicalIF":3.5000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.sciencedirect.com/science/article/pii/S1296207424001328/pdfft?md5=b8cc492040b70883413ba0c23b2ed31b&pid=1-s2.0-S1296207424001328-main.pdf","citationCount":"0","resultStr":"{\"title\":\"RPLC-ESI-HRMS analysis of medium-chain dioic fatty acids in samples of aged siccative oil paintings\",\"authors\":\"Davide Coniglio , Cosima D. 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Painting reconstructions of linseed oil mixed with common inorganic pigments such as chrome yellow and cadmium red were investigated for their content of suberic (C<sub>8</sub>), azelaic (C<sub>9</sub>), sebacic (C<sub>10</sub>), and undecanedioic (C<sub>11</sub>) acids. For the identification of these DFAs as unbounded species, retention time data followed by confirmation of their accurate <em>m/z</em> measurements and a detailed analysis of their fragmentation patterns via tandem MS were used. To estimate the quantity of DFAs, samples were spiked with a suitable internal standard before lipid extraction. This analytical strategy was successfully applied to three 50-year-old oil paintings, using samples of only a few milligrams (<em>i.e.</em>, 25–50 mg). Notably, a difference in DFA profiles was observed within the artwork, with yellow pigments exhibiting relatively lower content compared to red ones. Spectroscopic techniques revealed alterations relevant to the chemical composition of these pigments during the ageing process. 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引用次数: 0
摘要
为了解决珍贵艺术品的老化问题,文化遗产领域对粘合剂的研究越来越多。当使用吸附油作为涂料介质时,在干燥过程中,不饱和脂肪酰基链上的羟基和氢过氧自由基会生成中链二羧酸(DFA),也称为二酸。迄今为止,气相色谱-质谱(MS)联用技术一直是研究经适当衍生反应生成的 DFAs 的最主要技术,但目前的工作旨在引入一种基于反相液相色谱、负离子模式电喷雾离子化与高分辨率/精确度 MS 和串联 MS 的替代方法。研究人员调查了亚麻籽油与铬黄和镉红等常见无机颜料混合后的绘画重构,以确定其中的亚伯酸(C8)、壬二酸(C9)、癸二酸(C10)和十一烷二酸(C11)含量。为了将这些 DFAs 鉴定为无约束物种,我们使用了保留时间数据,然后确认了其精确的 m/z 测量值,并通过串联质谱对其碎片模式进行了详细分析。为了估算 DFAs 的数量,在提取脂质之前,先在样品中添加合适的内标物。这种分析策略成功地应用于三幅 50 年历史的油画,使用的样本只有几毫克(即 25-50 毫克)。值得注意的是,在艺术品中观察到了 DFA 特征的差异,黄色颜料的含量相对低于红色颜料。光谱技术显示,这些颜料的化学成分在老化过程中发生了变化。铬黄颜料中的铬酸根离子可能会发生氧化,这可能会阻碍芬顿反应产生羟基和氢过氧自由基,因为干燥油中天然存在的铁催化剂可能会受到影响。
RPLC-ESI-HRMS analysis of medium-chain dioic fatty acids in samples of aged siccative oil paintings
To tackle the ageing phenomena of precious artworks, the binding media have been increasingly explored in cultural heritage. When siccative oils are employed as paint media, medium-chain dicarboxylic fatty acids (DFAs), also known as dioic acids, are generated from unsaturated fatty acyl chains by hydroxyl and hydroperoxyl radicals during the drying process. Hitherto, gas-chromatography coupled with mass spectrometry (MS) has represented the foremost technique for the investigation of DFAs upon proper derivatization reactions, yet the current work aims to introduce an alternative approach based on reversed-phase liquid chromatography, negative-ion-mode electrospray ionization with high-resolution/accuracy MS and tandem MS. Painting reconstructions of linseed oil mixed with common inorganic pigments such as chrome yellow and cadmium red were investigated for their content of suberic (C8), azelaic (C9), sebacic (C10), and undecanedioic (C11) acids. For the identification of these DFAs as unbounded species, retention time data followed by confirmation of their accurate m/z measurements and a detailed analysis of their fragmentation patterns via tandem MS were used. To estimate the quantity of DFAs, samples were spiked with a suitable internal standard before lipid extraction. This analytical strategy was successfully applied to three 50-year-old oil paintings, using samples of only a few milligrams (i.e., 25–50 mg). Notably, a difference in DFA profiles was observed within the artwork, with yellow pigments exhibiting relatively lower content compared to red ones. Spectroscopic techniques revealed alterations relevant to the chemical composition of these pigments during the ageing process. Likely the chromate ion, a component of chrome yellow pigment, undergoes oxidation which may hinder the generation of hydroxyl and hydroperoxyl radicals by the Fenton reaction, as the iron catalyst naturally occurring in the drying oil is potentially affected.
期刊介绍:
The Journal of Cultural Heritage publishes original papers which comprise previously unpublished data and present innovative methods concerning all aspects of science and technology of cultural heritage as well as interpretation and theoretical issues related to preservation.