{"title":"EIC 的社论","authors":"André Stork","doi":"10.1109/mcg.2024.3381851","DOIUrl":null,"url":null,"abstract":"Dear readers, in almost all editorials I talked about volunteers dropping out of our Editorial Board and new ones coming in. It may sound like a lot of fluctuation among the members of the Editorial Board, but it is not. Associate Editors start with a two-year term and most of them continue for two more years as foreseen by IEEE. It just so happened that when I took on the EIC role, the second two-year terms ended for many of our Associate Editors.","PeriodicalId":55026,"journal":{"name":"IEEE Computer Graphics and Applications","volume":"20 1","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"EIC's Editorial\",\"authors\":\"André Stork\",\"doi\":\"10.1109/mcg.2024.3381851\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Dear readers, in almost all editorials I talked about volunteers dropping out of our Editorial Board and new ones coming in. It may sound like a lot of fluctuation among the members of the Editorial Board, but it is not. Associate Editors start with a two-year term and most of them continue for two more years as foreseen by IEEE. It just so happened that when I took on the EIC role, the second two-year terms ended for many of our Associate Editors.\",\"PeriodicalId\":55026,\"journal\":{\"name\":\"IEEE Computer Graphics and Applications\",\"volume\":\"20 1\",\"pages\":\"\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2024-06-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IEEE Computer Graphics and Applications\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.1109/mcg.2024.3381851\",\"RegionNum\":4,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMPUTER SCIENCE, SOFTWARE ENGINEERING\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IEEE Computer Graphics and Applications","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1109/mcg.2024.3381851","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMPUTER SCIENCE, SOFTWARE ENGINEERING","Score":null,"Total":0}
Dear readers, in almost all editorials I talked about volunteers dropping out of our Editorial Board and new ones coming in. It may sound like a lot of fluctuation among the members of the Editorial Board, but it is not. Associate Editors start with a two-year term and most of them continue for two more years as foreseen by IEEE. It just so happened that when I took on the EIC role, the second two-year terms ended for many of our Associate Editors.
期刊介绍:
IEEE Computer Graphics and Applications (CG&A) bridges the theory and practice of computer graphics, visualization, virtual and augmented reality, and HCI. From specific algorithms to full system implementations, CG&A offers a unique combination of peer-reviewed feature articles and informal departments. Theme issues guest edited by leading researchers in their fields track the latest developments and trends in computer-generated graphical content, while tutorials and surveys provide a broad overview of interesting and timely topics. Regular departments further explore the core areas of graphics as well as extend into topics such as usability, education, history, and opinion. Each issue, the story of our cover focuses on creative applications of the technology by an artist or designer. Published six times a year, CG&A is indispensable reading for people working at the leading edge of computer-generated graphics technology and its applications in everything from business to the arts.