爱德华-蒙克 1908 年的危机与法国医学:他的医生、治疗方法和信息来源。

IF 0.3 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE
Stanley Finger, Elisabetta Sirgiovanni
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引用次数: 0

摘要

1908年,挪威艺术家爱德华-蒙克(Edvard Munch)因《呐喊》(The Scream)和其他表现疾病、绝望和痛苦的画作而声名鹊起,他将自己托付给哥本哈根的神经科医生丹尼尔-雅各布森(Daniel Jacobson)治疗。雅各布森之前曾参加过让-马丁-沙尔科在巴黎举办的一些讲座,他的导师克努德-庞托普丹(Knud Pontoppidan)也是如此。而蒙克长期以来一直表现出焦虑症和神经衰弱或癔症的症状和体征。现在,他似乎也患上了急性酒精中毒。在本文中,我们将探讨世纪之交的斯堪的纳维亚精神病学;雅各布森和庞托普丹与巴黎的联系;以及蒙克的一些治疗方法,尤其是他的电疗疗程,与萨尔佩特里耶尔的治疗方法之间的关系。此外,还研究了蒙克了解法国医学的各种途径。这些资料揭示了沙尔科及其关于大脑和精神疾病的观点在世纪之交的知名度和影响力,不仅影响了法国医生,还影响了一位世界著名的艺术家和他在斯堪的纳维亚的神经医生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Edvard Munch's crisis in 1908 and French medicine: His doctors, treatments, and sources of information.

In 1908, Norwegian artist Edvard Munch-already famous for The Scream and other paintings showing sickness, despair, and suffering-put himself under the care of Dr. Daniel Jacobson, a nerve doctor in Copenhagen. Jacobson had previously attended some of Jean-Martin Charcot's lectures in Paris, as had Knud Pontoppidan, his mentor. Munch, in turn, had long been showing signs and symptoms of an anxiety disorder and what might have been viewed as neurasthenia or hysteria. Now, he also seemed to be suffering from acute alcoholic toxicity. In this article, we explore Scandinavian psychiatry at the turn of the century; Jacobson and Pontoppidan's connections to Paris; and how some of Munch's treatments, most notably his electrotherapy sessions, related to therapeutics at La Salpêtrière. Additionally, various ways in which Munch learned about French medicine are examined. This material reveals how well-known and influential Charcot and his ideas about disorders of the brain and mind had become at the turn of the century, affecting not just the French physicians but also a world-famous artist and his nerve doctor in Scandinavia.

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来源期刊
Journal of the History of the Neurosciences
Journal of the History of the Neurosciences 社会科学-科学史与科学哲学
CiteScore
1.00
自引率
20.00%
发文量
55
审稿时长
>12 weeks
期刊介绍: The Journal of the History of the Neurosciences is the leading communication platform dealing with the historical roots of the basic and applied neurosciences. Its domains cover historical perspectives and developments, including biographical studies, disorders, institutions, documents, and instrumentation in neurology, neurosurgery, neuropsychiatry, neuroanatomy, neurophysiology, neurochemistry, neuropsychology, and the behavioral neurosciences. The history of ideas, changes in society and medicine, and the connections with other disciplines (e.g., the arts, philosophy, psychology) are welcome. In addition to original, full-length papers, the journal welcomes informative short communications, letters to the editors, book reviews, and contributions to its NeuroWords and Neurognostics columns. All manuscripts are subject to initial appraisal by an Editor, and, if found suitable for further consideration, full- and short-length papers are subject to peer review (double blind, if requested) by at least 2 anonymous referees.
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