{"title":"天哪","authors":"Jarin Schexnider","doi":"10.3138/ctr.197.012","DOIUrl":null,"url":null,"abstract":"In this fast-paced choose-your-own-adventure performance, Holy Moly offers multiple truths, allowing everyone to walk away with a slightly different experience. Based on choices made as an audience member, each person will receive one of multiple collaged audio tracks on a personal cassette tape. These multiple tracks, Beanie Babies, Jazzercise, cooking shows, and Schexnider’s own childhood field recordings are used to recover a feeling of holiness. It is a ritualistic grab bag of the sacred in the everyday in a search for connection and wholeness.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Holy Moly\",\"authors\":\"Jarin Schexnider\",\"doi\":\"10.3138/ctr.197.012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this fast-paced choose-your-own-adventure performance, Holy Moly offers multiple truths, allowing everyone to walk away with a slightly different experience. Based on choices made as an audience member, each person will receive one of multiple collaged audio tracks on a personal cassette tape. These multiple tracks, Beanie Babies, Jazzercise, cooking shows, and Schexnider’s own childhood field recordings are used to recover a feeling of holiness. It is a ritualistic grab bag of the sacred in the everyday in a search for connection and wholeness.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.197.012\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.197.012","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"THEATER","Score":null,"Total":0}
In this fast-paced choose-your-own-adventure performance, Holy Moly offers multiple truths, allowing everyone to walk away with a slightly different experience. Based on choices made as an audience member, each person will receive one of multiple collaged audio tracks on a personal cassette tape. These multiple tracks, Beanie Babies, Jazzercise, cooking shows, and Schexnider’s own childhood field recordings are used to recover a feeling of holiness. It is a ritualistic grab bag of the sacred in the everyday in a search for connection and wholeness.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
