Serat Rama 和 Kakawin Ramayana 中的风景描绘

Tio Cahya Sadewa
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摘要

山水是地球表面各种形态(山脉、稻田、山谷、河流等)共同构成一个整体的自然景观或区域。古代文学作品中记载了许多关于风景的描写。Serat Rama》就是一部描写风景的爪哇文学作品。Serat Rama》是一部新的爪哇文学作品,由 R. Ng 创作。Yasadipura 在苏腊卡尔塔创作的新爪哇文学作品,源自旧爪哇语的《卡卡温罗摩衍那》。这两部作品都讲述了普拉布-拉玛(Prabu Rama)前往阿伦卡(Alengka)解救被普拉布-拉瓦纳(Prabu Rahwana)绑架的妻子德维-辛塔(Dewi Sinta)的故事。在旅途中,普拉布-拉玛经过了各种风景,伴随着重重障碍。本文试图回答这样一个问题,即 Serat Rama 和 Kakawin Ramayana 中是如何描绘风景的?通过了解古代文学作品中的风景描写,可以为今天的读者提供一点关于过去自然状况的图景。本文采用了具有生态批评方法的文字学研究方法。数据收集是通过盘点 Serat Rama 和 Kakawin Ramayana 中描写风景的诗句来完成的,以便进行翻译、描述和比较。Serat Rama》和《Kakawin Ramayana》中对风景的描绘被分类为:(1)对森林的描绘;(2)对山的描绘;(3)对水的描绘。结果显示,《卡卡温罗摩衍那》中的风景描写显得更为细腻,其中一些仍受到印度自然环境的影响。在《塞拉特-拉玛》中,作者试图通过本地化的方式来描绘风景,以适应爪哇的自然环境。在《卡卡温罗摩衍那》中存在一些景观名称,但在《实拉特-拉玛》中却找不到。此外,在提及风景名称时,也会出现一些差异,这是因为在重新组合卡卡温时出现了词语切割错误和不同的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Penggambaran Bentang Alam dalam Serat Rama dan Kakawin Ramayana
Landscapes are natural scenery or areas with various forms of the earth's surface (mountains, rice fields, valleys, rivers, and so on) which together constitute a single entity. Many depictions of landscapes are recorded in old literary works. One of the Javanese literary works that records the depiction of landscapes is Serat Rama. Serat Rama is a new Javanese literary work composed by R. Ng. Yasadipura in Surakarta which is derived from the Kakawin Ramayana in Old Javanese. Both texts tell the story of Prabu Rama's journey to rescue his wife, Dewi Sinta, who was kidnapped by Prabu Rahwana in Alengka. During his journey, Prabu Rama has passed through various landscapes accompanied by obstacles and obstacles. This paper attempts to answer the problem, namely how is the landscape depicted in Serat Rama and Kakawin Ramayana? By knowing the depiction of landscapes in old literary works, there will be a little picture for today's readers about natural conditions in the past. This paper applies a philological research method with an ecocritical approach. Data collection was done by inventorying the stanzas in Serat Rama and Kakawin Ramayana that describe landscapes to be translated, described, and compared. The depictions of landscapes in Serat Rama and Kakawin Ramayana were sorted into (1) depictions of forests, (2) depictions of mountains, and (3) depictions of waters. The results show that the depiction of landscapes in Kakawin Ramayana appears more detailed and some are still influenced by the Indian natural setting. In Serat Rama, the author tries to depict landscapes by localizing them to suit the Javanese natural setting. There are several names of landscapes that exist in Kakawin Ramayana but are not found in Serat Rama. There are also some differences in mentioning the names of landscapes that arise due to word-cutting errors and different interpretations when recomposing the kakawin.
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