{"title":"对 \"冒名顶替 \"经历的描述性回顾,为音乐治疗专业学生和专业人员的健康提供支持","authors":"Michael J. Silverman","doi":"10.1016/j.aip.2024.102172","DOIUrl":null,"url":null,"abstract":"<div><p>The impostor experience (IE) is an inaccurate self-assessment negatively impacting a person’s internal sense of success despite objective evidence to the contrary. IE commonly occurs in a variety of students and professionals and is associated with negative affective states as well as occupational burnout. The purpose of this descriptive review was to survey the existing IE literature and describe, normalize, and mitigate IE specific to music therapy students and professionals. I conducted a descriptive review of the IE literature to determine how IE might manifest itself in music therapy students and professionals as well as potential ways to mitigate IE. IE is highly prevalent and may be especially widespread in students, healthcare professionals, musicians, academics, and people who are from communities who have been marginalized. Music therapy students and professionals may be at heightened risk for IE because they exist at the intersection of a small creative arts profession within various larger healthcare systems. Resultant of the review, I developed a model to name and normalize IE for music therapy students and professionals and provided specific recommendations for mitigating IE to augment the health and wellbeing of music therapy students and professionals. Through exposure to the IE scholarly literature and unpacking unique challenges that music therapy students and professionals encounter, I hope that IE can be named, normalized, and mitigated. Implications for academic and clinical training, limitations of the literature, suggestions for future research, and recommendations for continuing education to prevent and mitigate IE are provided.</p></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A descriptive review of the impostor experience to support the health of music therapy students and professionals\",\"authors\":\"Michael J. Silverman\",\"doi\":\"10.1016/j.aip.2024.102172\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>The impostor experience (IE) is an inaccurate self-assessment negatively impacting a person’s internal sense of success despite objective evidence to the contrary. IE commonly occurs in a variety of students and professionals and is associated with negative affective states as well as occupational burnout. The purpose of this descriptive review was to survey the existing IE literature and describe, normalize, and mitigate IE specific to music therapy students and professionals. I conducted a descriptive review of the IE literature to determine how IE might manifest itself in music therapy students and professionals as well as potential ways to mitigate IE. IE is highly prevalent and may be especially widespread in students, healthcare professionals, musicians, academics, and people who are from communities who have been marginalized. Music therapy students and professionals may be at heightened risk for IE because they exist at the intersection of a small creative arts profession within various larger healthcare systems. Resultant of the review, I developed a model to name and normalize IE for music therapy students and professionals and provided specific recommendations for mitigating IE to augment the health and wellbeing of music therapy students and professionals. Through exposure to the IE scholarly literature and unpacking unique challenges that music therapy students and professionals encounter, I hope that IE can be named, normalized, and mitigated. Implications for academic and clinical training, limitations of the literature, suggestions for future research, and recommendations for continuing education to prevent and mitigate IE are provided.</p></div>\",\"PeriodicalId\":47590,\"journal\":{\"name\":\"Arts in Psychotherapy\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2024-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arts in Psychotherapy\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/S0197455624000571\",\"RegionNum\":3,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"PSYCHOLOGY, CLINICAL\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts in Psychotherapy","FirstCategoryId":"102","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0197455624000571","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PSYCHOLOGY, CLINICAL","Score":null,"Total":0}
A descriptive review of the impostor experience to support the health of music therapy students and professionals
The impostor experience (IE) is an inaccurate self-assessment negatively impacting a person’s internal sense of success despite objective evidence to the contrary. IE commonly occurs in a variety of students and professionals and is associated with negative affective states as well as occupational burnout. The purpose of this descriptive review was to survey the existing IE literature and describe, normalize, and mitigate IE specific to music therapy students and professionals. I conducted a descriptive review of the IE literature to determine how IE might manifest itself in music therapy students and professionals as well as potential ways to mitigate IE. IE is highly prevalent and may be especially widespread in students, healthcare professionals, musicians, academics, and people who are from communities who have been marginalized. Music therapy students and professionals may be at heightened risk for IE because they exist at the intersection of a small creative arts profession within various larger healthcare systems. Resultant of the review, I developed a model to name and normalize IE for music therapy students and professionals and provided specific recommendations for mitigating IE to augment the health and wellbeing of music therapy students and professionals. Through exposure to the IE scholarly literature and unpacking unique challenges that music therapy students and professionals encounter, I hope that IE can be named, normalized, and mitigated. Implications for academic and clinical training, limitations of the literature, suggestions for future research, and recommendations for continuing education to prevent and mitigate IE are provided.
期刊介绍:
The Arts in Psychotherapy is a dynamic, contemporary journal publishing evidence-based research, expert opinion, theoretical positions, and case material on a wide range of topics intersecting the fields of mental health and creative arts therapies. It is an international peer-reviewed journal publishing 5 issues annually. Papers are welcomed from researchers and practitioners in the fields of art, dance/movement, drama, music, and poetry psychotherapy, as well as expressive and creative arts therapy, neuroscience, psychiatry, education, allied health, and psychology that aim to engage high level theoretical concepts with the rigor of professional practice. The journal welcomes contributions that present new and emergent knowledge about the role of the arts in healthcare, and engage a critical discourse relevant to an international readership that can inform the development of new services and the refinement of existing policies and practices. There is no restriction on research methods and review papers are welcome. From time to time the journal publishes special issues on topics warranting a distinctive focus relevant to the stated goals and scope of the publication.