化暴力为美德:圣保罗大教堂中的 "自由帝国 "和维多利亚时期的雕像

IF 0.3 3区 艺术学 0 ART
Santanu Das
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引用次数: 0

摘要

文章通过圣保罗大教堂的帝国雕像,研究了维多利亚时期英国殖民主义与自由主义之间的勾结。文章特别研究了英属印度殖民英雄的纪念雕像,尤其是詹姆斯-纳皮尔(James Napier)、亨利-蒙哥马利-劳伦斯(Henry Montgomery Lawrence)和塞缪尔-布朗(Samuel Browne)的雕像:文章将这些人物置于其历史背景中,探讨了他们与东印度公司和南亚帝国统治之间经常发生冲突的关系,并揭示了这些雕像下蕴含的多重意义--个人的、职业的、矛盾的、混乱的。对雕像的仔细研究揭示了在制作过程中与帝国男性身体有关的冲动和焦虑,以及大理石是如何掩盖和凝结这些故事,从而产生暴力和帝国的净化版本的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Violence into virtue: ‘liberal empire’ and Victorian statuary in St Paul’s Cathedral
The article investigates the collusion between colonialism and liberalism in Victorian Britain through the imperial statuary in St Paul’s Cathedral. In particular, it examines the commemorative statues of colonial heroes from British India, with particular reference to the statues of James Napier, Henry Montgomery Lawrence and Samuel Browne: it places these figures in their historical context, explores their often conflicted relation to the East India Company and imperial rule in South Asia, and teases out the multiple intensities of meaning – personal, professional, ambivalent, messy – pulsing under these statues. A close examination of the statuary reveals the impulses and anxieties around the imperial male body that went into their making and how the marble both concealed and congealed these stories to produce sanitized versions of violence and empire.
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CiteScore
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