Mangkoan Sound:Luhak nan Tigo Minangkabau 语中的传统 Talempong 禁令概念

Martis Martis, Yunaidi Yunaidi, Andar Indra Sastra, Syahri Anton, Nurwani Nurwani
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引用次数: 0

摘要

从美学角度看,本研究的目的是揭示对齐塔伦蓬传统的图瓦塔伦蓬的音乐品味和音乐标准--mangkoan 声音。通过本体论和认识论,研究人员已经揭示了生活中的音乐talempong形式。然而,有一个重要的组成部分还没有被研究人员触及,这就是与 Luhak Nan Tigo Minangkabau 的对齐塔伦蓬传统有关的草案。对齐塔伦蓬的原则基础与卢哈克南蒂戈米南卡鲍族塔伦蓬的图奥(长老)的音乐品味和音乐标准有关。根据定性研究原则,研究人员成为收集研究数据的主要工具,包括初步研究和问题分析、通过参与观察者收集原始数据--民族志、深入访谈--自由和结构化、记录和数据分析。研究结果表明,"mangkoan the sound "是 Luhak Nan Tigo Minangkabau 的一种对准 talempong 传统的草案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mangkoan Sound: the Concept of Traditional Talempong Prohibition in Luhak nan Tigo Minangkabau
Aesthetically, the aim of this research is to reveal the musical taste and musical standards of tuo talempong in alignment talempong tradition – mangkoan sound. By ontology and epistemology; form music talempong in life public Already Lots revealed by the researchers previously. However there are one component important that hasn't been touched by researchers, which is related to draft alignment t alempong tradition in Luhak Nan Tigo Minangkabau. Principle base alignment talempong related with the musical taste and musical standards of the tuo (elders) of talempong in Luhak Nan Tigo Minangkabau. Based on qualitative research principles; The researcher becomes the main instrument in collecting research data,includinginitial study and problem analysis, primary data collection through participant observers – ethnography, in-depth interviews – free and structured, documentation, and data analysis.The analysis was carried out on musical taste and musical standards that were found in the field. Research results show that ' mangkoan the sound ' is A draft alignment talempong tradition in Luhak Nan Tigo Minangkabau.
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