主体性负荷:协商创意产业中 "母亲 "和 "创意工作者 "身份的内在化

Anne O’ Brien
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引用次数: 0

摘要

本文探讨了身为创意工作者的母亲们如何表达自己的主体性,并研究了她们作为母亲和创意工作者的相互依存身份如何导致了对主体性的持续和悬而未决的协商。这构成了母亲创意工作者额外的认知工作负担或 "主体性负荷"。本研究基于对 40 位在爱尔兰创意产业工作的母亲进行的小规模定性研究。研究采用 Venn 的主观性框架来探讨受访者在被问及如何看待与母亲和工作者身份相关的自我时所表达的态度、价值观、期望和倾向。主要研究结果表明,母亲工作者对母亲身份与工作身份的结合持矛盾态度。在价值观方面,如果受访者不符合社会对母亲的价值观,她们就会内化一种消极的、不坚定的自我意识。在对自己的期望方面,母亲们认为,她们总是要在相互矛盾的要求中做出选择,而且在内心深处有一种期望,即做母亲应该优先于工作。最后,关于她们的性情,受访者解释说,她们认为社会拒绝理解作为艺术家的母亲, 因此,鉴于身为创意工作者的母亲的不可见性,她们不容易获得稳定的主体性。因此,母亲创作者总是在身份矛盾中进行协商,以形成自己的主体性。这种持续不断的矛盾心理围绕着内化自我的塑造和重塑产生了另一种认知或主体性负荷。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The subjectivity load: Negotiating the internalization of “mother” and “creative worker” identities in creative industries
This paper explores how mothers who are creative workers articulate their subjectivities and examines how their interdependent identities as both mothers and creatives lead to a constant and unresolved negotiation of subjectivity. This constitutes an additional cognitive work burden or a “subjectivity load” for mother‐creatives. The study is based on a small‐scale qualitative study of 40 mothers working in Creative Industries in Ireland. Venn's framework on subjectivity is used to explore the attitudes, values, expectations, and dispositions that respondents articulated when questioned about how they saw the self in relation to the identities of mother and worker. Key findings note that mother workers held ambivalent attitudes about the combination of mothering with work. In terms of their values, respondents internalized a negative and irresolute sense of self if they did not live up to social values on motherhood. With regard to expectations of themselves, mothers felt that they were always having to choose between conflicting demands and that there was an internalized expectation that motherhood should be prioritized over work. Finally, in terms of their disposition, respondents explained they felt that society refused to understand mothers as artists and so they could not easily achieve a settled subjectivity in light of the invisibility of mothers who were also creative workers. Consequently, mother‐creatives are always engaged in a process of negotiation across identity contradictions to form their own subjectivities. This ongoing ambivalence creates another cognitive or subjectivity load around the making and remaking of the internalized self.
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