一封写给变装的情书

IF 1.6 Q2 ETHNIC STUDIES
Andrew Farrell
{"title":"一封写给变装的情书","authors":"Andrew Farrell","doi":"10.1177/11771801241253228","DOIUrl":null,"url":null,"abstract":"Drag as an enduring artform has reached the masses through the hit reality television show RuPaul’s Drag Race (2009–2024). This article explores an intimate reflection on the series through the lens of a queer Aboriginal person who is both a fan and practitioner of the art of drag. Beyond the scope of niche fandoms at queer margins, this letter points to the violent and liberatory entanglements generated by the mainstreaming of drag.","PeriodicalId":45786,"journal":{"name":"Alternative-An International Journal of Indigenous Peoples","volume":"103 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2024-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A love letter to drag\",\"authors\":\"Andrew Farrell\",\"doi\":\"10.1177/11771801241253228\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Drag as an enduring artform has reached the masses through the hit reality television show RuPaul’s Drag Race (2009–2024). This article explores an intimate reflection on the series through the lens of a queer Aboriginal person who is both a fan and practitioner of the art of drag. Beyond the scope of niche fandoms at queer margins, this letter points to the violent and liberatory entanglements generated by the mainstreaming of drag.\",\"PeriodicalId\":45786,\"journal\":{\"name\":\"Alternative-An International Journal of Indigenous Peoples\",\"volume\":\"103 1\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2024-05-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Alternative-An International Journal of Indigenous Peoples\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/11771801241253228\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ETHNIC STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Alternative-An International Journal of Indigenous Peoples","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/11771801241253228","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ETHNIC STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

变装作为一种经久不衰的艺术形式,通过热播真人秀节目《鲁保罗变装大赛》(RuPaul's Drag Race,2009-2024 年)深入人心。本文通过一位既是变装艺术爱好者又是变装艺术实践者的原住民同性恋者的视角,探讨了对该系列节目的亲身反思。除了处于同性恋边缘的小众粉丝之外,这封信还指出了变装主流化所产生的暴力与解放之间的纠葛。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A love letter to drag
Drag as an enduring artform has reached the masses through the hit reality television show RuPaul’s Drag Race (2009–2024). This article explores an intimate reflection on the series through the lens of a queer Aboriginal person who is both a fan and practitioner of the art of drag. Beyond the scope of niche fandoms at queer margins, this letter points to the violent and liberatory entanglements generated by the mainstreaming of drag.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
2.40
自引率
10.50%
发文量
72
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信