全面控制:"黑婊子 "冒犯了罪犯

IF 1.6 Q2 ETHNIC STUDIES
Bronwyn Carlson
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引用次数: 0

摘要

全面控制》(2019-2024)是一部政治剧,讲述了蕾切尔-格里菲斯饰演所谓的澳大利亚总理,黛博拉-梅尔曼饰演她的政治对手的故事。全面控制》最初名为 "黑婊子",以引起人们对历史上种族诽谤的关注,但因社交媒体上的一场风波而被迫改名。全面控制》与现实生活中土著妇女在政治上所受的待遇有着惊人的相似之处。本文探讨了社交媒体作为一个平台,为土著妇女参与公共政治提供了途径。文章认为这些技术为定居者提供了公开诽谤土著妇女的手段。文章借鉴了有关土著用户使用和滥用社交媒体的研究,并强调了虚构和非虚构土著现实之间的模糊界限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Total Control: “black bitch” offending the offenders
Total Control (2019–2024) is a political drama that follows the story of Rachel Griffiths as the prime minister of so-called Australia and Deborah Mailman as her political rival. Available on demand on the Australian Broadcasting Corporation (ABC) iView, Total Control was initially called “Black Bitch” to draw attention to the historical racial slur but was forced to change its title due to a social media storm. Total Control demonstrates striking parallels with the treatment of real-life Indigenous women in politics. This article looks at the role of social media as a platform that provides a way for Indigenous women to engage in public politics. It discusses these technologies as providing settlers with the means to publicly malign Indigenous women. It draws from research on the use and abuse of social media in relation to Indigenous users and is underscored by the blurred boundary between fiction and non-fiction Indigenous realities.
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来源期刊
CiteScore
2.40
自引率
10.50%
发文量
72
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