印度电影的跨媒体故事:亚什-拉吉电影个案研究

Ipsita Barat
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引用次数: 0

摘要

本研究旨在探讨印度电影中的跨媒体叙事概念,特别是电影《魔王》(Anubhav Sinha)和《Dhoom》系列中的跨媒体叙事概念。跨媒体叙事是在多个媒体平台上讲述故事的做法,由于技术的进步,这种做法在当今文化中越来越流行。之所以选择这些影片进行分析,是因为它们广受欢迎,并具有广泛的跨媒体延伸,是印度电影如何利用多平台讲故事的最佳范例。本研究将探讨这些电影如何有效地运用跨媒体技术来讲述适合多种媒体渠道的故事。本研究将采用文本和叙事分析方法,深入探讨《魔王》和《Dhoom》系列中采用的跨媒体元素。此外,本研究还将探讨跨媒体叙事融入印度电影制片厂商业模式的经济逻辑,从而加深对媒体融合、叙事技术和行业实践之间关系的理解。本分析旨在阐明印度电影中跨媒体叙事的战略部署及其对观众参与和行业动态的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TRANSMEDIA STORYTELLING OF HINDI CINEMA: A CASE STUDY OF YASH RAJ FILMS
This study aims to explore the concept of transmedia storytelling in Hindi cinema, specifically in the film Ra.One (Anubhav Sinha) and the Dhoom series. Transmedia storytelling is the practice of telling a story across multiple media platforms, and it has become increasingly popular in today's culture due to technological advancement. These films were chosen for analysis because of their widespread popularity and extensive transmedia extensions, which make them prime examples of how Hindi cinema uses multi-platform storytelling. The research investigates how these films effectively employ transmedia techniques to tell stories suitable for multiple media channels. The study will employ textual and narrative analysis methodologies to delve into the transmedia elements employed in Ra.One and the Dhoom series. Additionally, the study will examine the economic logic of transmedia storytelling integrated into the studio business model of Hindi cinema, contributing to a deeper understanding of the relationship between media convergence, narrative techniques, and industry practices. This analysis aims to shed light on the strategic deployment of transmedia storytelling in Hindi cinema and its implications for audience engagement and industry dynamics.
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