安哥拉高等教育中班图语言的文化和艺术层面

Francisco Jacucha Kimbanda, Luis Manuel Faria Van-Dúnem
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摘要

这篇课文论述了安哥拉高等教育中班图语言的文化和艺术层面。班图语言是安哥拉表达艺术的唯一手段。因此,没有安哥拉语言就没有艺术。在一个国家,国家剥夺了人民公开或私人使用当地语言的基本权利,在这样的国家,就谈不上安哥拉艺术,因为只有通过这些语言,艺术家才能表达安哥拉人民的文化、政治和艺术价值。班图语占据最后的位置,其语言维度已被贬低。因此,本文旨在分析安哥拉班图语在多大程度上表达了使用这些语言的人民的全部理性。因此,这篇通讯是我在农村社区的法庭和学校中的经历所产生的。在法庭上,我曾参加过一些庭审,在这些庭审中,法官用葡萄牙语讲得很好,但被告和证人却听不懂,因为他们说的都是班图语。我们发现,在被视为文明社会的大城市中心,文化规范占主导地位,有相当数量的警察和后院警卫,但与没有警察的农村社区相比,记录的犯罪行为越来越不同。这些不同的事实是由于每个社区的语言所蕴含的伦理和道德价值观造成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural and artistic dimension of Bantu languages in higher education inAngola
This text addresses the Cultural and Artistic Dimension of Bantu Languages in Higher Education in Angola. The Bantu languages are the only means of expressing art in Angola. Therefore, there is no art without Angolan languages. In a country where the state imposes the deprivation of the public or private use of local languages as fundamental rights of people, one cannot speak of Angolan art, since only through these languages can the artist express the cultural, political and artistic values of the Peoples of Angola. Bantu languages occupy the last position with a deprecated language dimension. Thus, it is the purpose of this text to analyze the extent to which the Bantu languages of Angola express all the rationality of the people who speak them. This communication is therefore the result of my experiences in courts and schools in rural communities. In courts, I have attended certain trial sessions where the judge who speaks in good Portuguese is not understood by the accused and the witness who speak in any Bantu language. It was found that the large urban centers, considered civilized societies, which dominate the cultured norm and have a considerable number of police, guards in backyards, record more and more different criminal actions in relation to rural communities, where there are no police. These disparate facts are due to the ethical and moral values imbued in the languages of each community.
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