代替缺失的地方

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-05-20 DOI:10.3390/arts13030091
Noam Segal
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引用次数: 0

摘要

这篇文章反映了从华盛顿特区美利坚大学 Katzen 画廊的 Sonnenfeld 藏品中选取的作品--这些作品最初伴随着 2021 年初在该画廊举办的一次展览--来评论几代以色列艺术家对这片土地的观察,以及这片土地对以色列文化和政治的意义,以及以色列建国后最初 70 年的演变。文章从建国前 15 年以色列先驱在这片土地上拍摄的一对照片开始--2008 年,一位当代以色列艺术家对照片进行了概念上的重新诠释--历经十年又十年,以具象和抽象的方式,在有人类和没有人类的背景下,从色彩鲜艳的图像到几乎无色的图像,包括绘画和照片,对以色列的景观进行了深入的观察,追溯了早先对存在的断言与逐渐出现的关于存在、缺失和身份的问题之间的距离。以色列的内部发展在视觉上,也就是在语言上,与以色列与其近邻的外部关系问题,以及 "内部 "和 "外部"--"此 "和 "彼"--之间的转变交织在一起,而这一背景则从 20 世纪 30 年代到 50 年代,到 1967 年,到 1993 年,到 2000 年,再到现在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Place of a Missing Place
This essay reflects on works chosen from the Sonnenfeld Collection at the Katzen Gallery at American University in Washington, DC—it originally accompanied an exhibition at that gallery in early 2021—to comment on the observations of several generations of Israeli artists on the land and its meaning for the culture and politics of Israel’s coming into existence and evolution during the first 70 years of its existence. Beginning with a pair of photographs of pioneers in the land in the fifteen years before statehood—and conceptually re-purposed by a contemporary Israeli artist in 2008—and moving through decade after decade of engagement with the landscape of Israel in both figurative and abstract modes, with and without humans present within these contexts, veering from brightly colored to virtually colorless images, including paintings and photographs, the essay traces a distance between earlier assertions of presence and the gradual emergence of questions regarding presence, absence, and identity. Israel, in its internal development, is both visually and thus verbally interwoven with the issue of its external relationship with its immediate neighbors and to the shifts between what comprises “internal” and “external”—”this” and “other”—as the context has metamorphosized from the 1930s to the 1950s to 1967 to 1993 to 2000 and to the present.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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