{"title":"演讲,维吉妮-德斯潘特为雪-康纳尔的个人利益而创作的每日插曲","authors":"Marie-Lise Auvray","doi":"10.26522/vp.v21i1.4684","DOIUrl":null,"url":null,"abstract":"Virginie Despentes is the recipient of the 2010 Renaudot prize for her novel Apocalypse Bébé. Her most recent work, Cher connard (2022), top the sales charts for several weeks, and is praised by literary critics. This epistolary novel destabilizes and deconstructs patriarchy and the condition of women in France. It helps us better understand the abuse of power. Anchored in its time, it questions the daily relationship of three characters: Rebecca, Oscar and Zoé.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"parole, une parenthèse quotidienne au profit de l’individu dans Cher connard de Virginie Despentes\",\"authors\":\"Marie-Lise Auvray\",\"doi\":\"10.26522/vp.v21i1.4684\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Virginie Despentes is the recipient of the 2010 Renaudot prize for her novel Apocalypse Bébé. Her most recent work, Cher connard (2022), top the sales charts for several weeks, and is praised by literary critics. This epistolary novel destabilizes and deconstructs patriarchy and the condition of women in France. It helps us better understand the abuse of power. Anchored in its time, it questions the daily relationship of three characters: Rebecca, Oscar and Zoé.\",\"PeriodicalId\":40155,\"journal\":{\"name\":\"Voix Plurielles\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Voix Plurielles\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26522/vp.v21i1.4684\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Voix Plurielles","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26522/vp.v21i1.4684","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
parole, une parenthèse quotidienne au profit de l’individu dans Cher connard de Virginie Despentes
Virginie Despentes is the recipient of the 2010 Renaudot prize for her novel Apocalypse Bébé. Her most recent work, Cher connard (2022), top the sales charts for several weeks, and is praised by literary critics. This epistolary novel destabilizes and deconstructs patriarchy and the condition of women in France. It helps us better understand the abuse of power. Anchored in its time, it questions the daily relationship of three characters: Rebecca, Oscar and Zoé.