{"title":"克劳迪-亨青格《Les grands cerfs》中的生态灾难与日常生活","authors":"I. Chassaing","doi":"10.26522/vp.v21i1.4685","DOIUrl":null,"url":null,"abstract":"Anticipation and science fiction have long monopolized the theme of environmental disaster, representing it as an accomplished reality that is impossible for humanity to ignore. This study focuses on a novel which, going against the grain, describes the current catastrophe in a realistic manner, considering it as a continuous process, almost imperceptible except in the smallest of its daily manifestations. Les grands cerfs by Claudie Hunzinger evokes the meeting of Pamina, its narrator, with the deer she observes in the Vosges forest where she lives. Through an enlightened and empathetic contemplation of the wild world, Pamina observes its decline and – in deep dismay – questions the inevitability of death.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Catastrophe écologique et quotidien dans Les grands cerfs de Claudie Hunzinger\",\"authors\":\"I. Chassaing\",\"doi\":\"10.26522/vp.v21i1.4685\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Anticipation and science fiction have long monopolized the theme of environmental disaster, representing it as an accomplished reality that is impossible for humanity to ignore. This study focuses on a novel which, going against the grain, describes the current catastrophe in a realistic manner, considering it as a continuous process, almost imperceptible except in the smallest of its daily manifestations. Les grands cerfs by Claudie Hunzinger evokes the meeting of Pamina, its narrator, with the deer she observes in the Vosges forest where she lives. Through an enlightened and empathetic contemplation of the wild world, Pamina observes its decline and – in deep dismay – questions the inevitability of death.\",\"PeriodicalId\":40155,\"journal\":{\"name\":\"Voix Plurielles\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Voix Plurielles\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26522/vp.v21i1.4685\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Voix Plurielles","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26522/vp.v21i1.4685","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
长期以来,预言和科幻小说一直垄断着环境灾难这一主题,将其表现为人类无法忽视的既定现实。本研究的重点是一部小说,它反其道而行之,以现实主义的方式描述了当前的灾难,将其视为一个持续的过程,除了最微小的日常表现之外,几乎无法察觉。克劳迪-亨青格(Claudie Hunzinger)的《大鹿》(Les grands cerfs)描写了叙述者帕米娜(Pamina)在她居住的孚日山脉森林中与她观察到的鹿相遇的情景。帕米娜通过对野生世界的启迪和感同身受的思考,观察到了野生世界的衰落,并在深深的失望中对死亡的不可避免性提出了质疑。
Catastrophe écologique et quotidien dans Les grands cerfs de Claudie Hunzinger
Anticipation and science fiction have long monopolized the theme of environmental disaster, representing it as an accomplished reality that is impossible for humanity to ignore. This study focuses on a novel which, going against the grain, describes the current catastrophe in a realistic manner, considering it as a continuous process, almost imperceptible except in the smallest of its daily manifestations. Les grands cerfs by Claudie Hunzinger evokes the meeting of Pamina, its narrator, with the deer she observes in the Vosges forest where she lives. Through an enlightened and empathetic contemplation of the wild world, Pamina observes its decline and – in deep dismay – questions the inevitability of death.