中世纪早期多元文化的新范例:安阳曲清夫妇墓

M. Kudinova
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摘要

本文介绍了安阳(中国河南省)一处新墓葬群的材料,该墓葬群结合了北齐和隋墓以及公元 6 世纪 "索格底 "墓的特点。根据墓室中的墓志铭可知,贵族屈青和他的妻子韩夫人葬在这里。屈青是高昌王国一个统治王朝的建立者屈贾的孙子。他的妻子出身贵族,可能与乌桓有渊源。这套石器包括门扇、门扇上方的雕刻面板、雕刻屏风以及装饰有雕刻、浮雕和绘画的殉葬床,是了解中世纪早期中国异质文化的宝贵资料来源。门上和门板上的图像在内容和风格上与北齐墓葬的壁画相似。石屏两侧的构图来自早期的小品散文集,可归类为志怪小品。石床的设计和部分装饰图案与北朝和隋朝 "索隐 "墓葬中的器物相似。该墓展示了在汉文化影响下对借用的丧葬礼仪元素进行调整和改造的一个实例。儒教、道教、佛教和祆教的图像和图案的结合反映了中世纪早期典型的宗教融合情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A New Example of Early Medieval Multiculturalism: The Tomb of Qu Qing and His Wife in Anyang
The materials of a new burial complex in Anyang (Henan Province, China) combining features of the tombs of Northern Qi and Sui, and of the “Sogdian” tombs of the 6th century AD are presented. From the text of the epitaph placed in the burial chamber it is known that aristocrat Qu Qing and his wife Lady Han were buried there. Qu Qing was the grandson of Qu Jia, the founder of one of the ruling dynasties of the Gaochang Kingdom. His wife came from a noble family, possibly with Wuhuan roots. The set of stone items, including door leaves, an engraved panel above them, an engraved screen, and a burial bed decorated with engravings, reliefs and paintings, serves as a valuable source of information about the heterogeneous culture of Early Medieval China. The images on the door and the panel above it are similar in content and style to the murals of the Northern Qi tombs. The plots of the compositions on both sides of the stone screen came from early collections of xiaoshuo prose, that can be classified as zhiguai xiaoshuo (“tales of the miraculous”). The stone bed is similar in design and partly in decorative motifs to the objects from the “Sogdian” burials of the Northern dynasties and Sui. The tomb demonstrates an example of adaptation and transformation of borrowed elements of funeral rites under the influence of Han culture. The combination of Confucian, Taoist, Buddhist and Zoroastrian images and motifs reflects the situation of religious syncretism typical of the early Middle Ages.
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