{"title":"犹豫、迷失、重生：当我们还是孤儿》中的女性形象分析","authors":"Zixu Luo, Peifang Zhang","doi":"10.22158/jecs.v8n2p59","DOIUrl":null,"url":null,"abstract":"“When We Were Orphans” is a novel written by Ishiguro Kazuo, winner of the 2017 Nobel Prize in Literature. In the novel, Banksy’s mother Diana, his girlfriend Sarah, and his adopted daughter Jennifer are representatives of different female types. Based on feminist literary criticism, this article interprets figures of the three females with distinct personalities and reveals the inevitability of their fates.","PeriodicalId":73723,"journal":{"name":"Journal of education and culture studies","volume":" 25","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hesitating, Lost, Reborn: Analysis of Female Images on “When We Were Orphans”\",\"authors\":\"Zixu Luo, Peifang Zhang\",\"doi\":\"10.22158/jecs.v8n2p59\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“When We Were Orphans” is a novel written by Ishiguro Kazuo, winner of the 2017 Nobel Prize in Literature. In the novel, Banksy’s mother Diana, his girlfriend Sarah, and his adopted daughter Jennifer are representatives of different female types. Based on feminist literary criticism, this article interprets figures of the three females with distinct personalities and reveals the inevitability of their fates.\",\"PeriodicalId\":73723,\"journal\":{\"name\":\"Journal of education and culture studies\",\"volume\":\" 25\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of education and culture studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22158/jecs.v8n2p59\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of education and culture studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22158/jecs.v8n2p59","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Hesitating, Lost, Reborn: Analysis of Female Images on “When We Were Orphans”
“When We Were Orphans” is a novel written by Ishiguro Kazuo, winner of the 2017 Nobel Prize in Literature. In the novel, Banksy’s mother Diana, his girlfriend Sarah, and his adopted daughter Jennifer are representatives of different female types. Based on feminist literary criticism, this article interprets figures of the three females with distinct personalities and reveals the inevitability of their fates.
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