表演殖民:

Madeleine Vigneron
{"title":"表演殖民:","authors":"Madeleine Vigneron","doi":"10.24908/lhps.v3i1.17235","DOIUrl":null,"url":null,"abstract":"Theatre is always influenced by the culture in which it is performed, and can be employed as an ideological tool to influence its cultural context in return. This article assesses the role of European theatre practices in the ideological colonization of the Americas. World’s Fairs, Wild West shows, and Christian pageant theatre are methods by which colonial ideology was communicated to audiences and performances, and sites of resistance for Indigenous performers in the past and the present.","PeriodicalId":118026,"journal":{"name":"Living Histories: A Past Studies Journal","volume":"20 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performing Colonization:\",\"authors\":\"Madeleine Vigneron\",\"doi\":\"10.24908/lhps.v3i1.17235\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Theatre is always influenced by the culture in which it is performed, and can be employed as an ideological tool to influence its cultural context in return. This article assesses the role of European theatre practices in the ideological colonization of the Americas. World’s Fairs, Wild West shows, and Christian pageant theatre are methods by which colonial ideology was communicated to audiences and performances, and sites of resistance for Indigenous performers in the past and the present.\",\"PeriodicalId\":118026,\"journal\":{\"name\":\"Living Histories: A Past Studies Journal\",\"volume\":\"20 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Living Histories: A Past Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24908/lhps.v3i1.17235\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Living Histories: A Past Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24908/lhps.v3i1.17235","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

戏剧总是受到其演出文化的影响,并可作为一种意识形态工具反过来影响其文化背景。本文评估了欧洲戏剧实践在美洲意识形态殖民化中的作用。世界博览会、狂野西部表演和基督教选美戏剧是向观众和表演传达殖民意识形态的方法,也是土著表演者过去和现在的反抗场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing Colonization:
Theatre is always influenced by the culture in which it is performed, and can be employed as an ideological tool to influence its cultural context in return. This article assesses the role of European theatre practices in the ideological colonization of the Americas. World’s Fairs, Wild West shows, and Christian pageant theatre are methods by which colonial ideology was communicated to audiences and performances, and sites of resistance for Indigenous performers in the past and the present.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信