{"title":"表演殖民:","authors":"Madeleine Vigneron","doi":"10.24908/lhps.v3i1.17235","DOIUrl":null,"url":null,"abstract":"Theatre is always influenced by the culture in which it is performed, and can be employed as an ideological tool to influence its cultural context in return. This article assesses the role of European theatre practices in the ideological colonization of the Americas. World’s Fairs, Wild West shows, and Christian pageant theatre are methods by which colonial ideology was communicated to audiences and performances, and sites of resistance for Indigenous performers in the past and the present.","PeriodicalId":118026,"journal":{"name":"Living Histories: A Past Studies Journal","volume":"20 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performing Colonization:\",\"authors\":\"Madeleine Vigneron\",\"doi\":\"10.24908/lhps.v3i1.17235\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Theatre is always influenced by the culture in which it is performed, and can be employed as an ideological tool to influence its cultural context in return. This article assesses the role of European theatre practices in the ideological colonization of the Americas. World’s Fairs, Wild West shows, and Christian pageant theatre are methods by which colonial ideology was communicated to audiences and performances, and sites of resistance for Indigenous performers in the past and the present.\",\"PeriodicalId\":118026,\"journal\":{\"name\":\"Living Histories: A Past Studies Journal\",\"volume\":\"20 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Living Histories: A Past Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24908/lhps.v3i1.17235\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Living Histories: A Past Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24908/lhps.v3i1.17235","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Theatre is always influenced by the culture in which it is performed, and can be employed as an ideological tool to influence its cultural context in return. This article assesses the role of European theatre practices in the ideological colonization of the Americas. World’s Fairs, Wild West shows, and Christian pageant theatre are methods by which colonial ideology was communicated to audiences and performances, and sites of resistance for Indigenous performers in the past and the present.