{"title":"斯卡兹书(民间故事)中的事物诗学》\"孔雀石匣子\",P. P. 巴乔夫著","authors":"I. Ivanova, Olga Lepilkina","doi":"10.22162/2587-6503-2024-1-29-88-104","DOIUrl":null,"url":null,"abstract":"The article deals with P. P. Bazhov’s world of things as an aesthetic unity. The book of skaz (folk tales) of the Ural writer is a unique artistic world, the structure of which is defined by a system of several basic oppositions. It is a world extremely full of things, such as household items (people’s everyday lives), clothes (social status, the «us-them» divide), instruments and tools of craft (key topics of handicraft / craftsmanship) etc. A special role in this objective world is played by artisan products that combine the functions of a household item, an artefact and a magical object, and magical objects per se that are received from a donor but are usually different in function from their proper fairytale counterparts, which are common to the traditional Russian folklore and literary fairytales based on folklore stories. Bazhov’s system of images-things also includes a specific «human as a thing» category that is connected with the main conflicts of the book depicting serfdom-based mining civilization. Generally, the peculiarity of the world of things in «The Malachite Casket» is defined by the «borderline» nature of the skaz genre, its complex relationship with folklore and the unique character of Bazhov’s aesthetic experiment.","PeriodicalId":324856,"journal":{"name":"Бюллетень Калмыцкого научного центра Российской академии наук","volume":"80 6","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Poetics of Things in the Book of Skaz (Folk Tales) «The Malachite Casket» by P. P. Bazhov\",\"authors\":\"I. Ivanova, Olga Lepilkina\",\"doi\":\"10.22162/2587-6503-2024-1-29-88-104\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article deals with P. P. Bazhov’s world of things as an aesthetic unity. The book of skaz (folk tales) of the Ural writer is a unique artistic world, the structure of which is defined by a system of several basic oppositions. It is a world extremely full of things, such as household items (people’s everyday lives), clothes (social status, the «us-them» divide), instruments and tools of craft (key topics of handicraft / craftsmanship) etc. A special role in this objective world is played by artisan products that combine the functions of a household item, an artefact and a magical object, and magical objects per se that are received from a donor but are usually different in function from their proper fairytale counterparts, which are common to the traditional Russian folklore and literary fairytales based on folklore stories. Bazhov’s system of images-things also includes a specific «human as a thing» category that is connected with the main conflicts of the book depicting serfdom-based mining civilization. Generally, the peculiarity of the world of things in «The Malachite Casket» is defined by the «borderline» nature of the skaz genre, its complex relationship with folklore and the unique character of Bazhov’s aesthetic experiment.\",\"PeriodicalId\":324856,\"journal\":{\"name\":\"Бюллетень Калмыцкого научного центра Российской академии наук\",\"volume\":\"80 6\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Бюллетень Калмыцкого научного центра Российской академии наук\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22162/2587-6503-2024-1-29-88-104\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Бюллетень Калмыцкого научного центра Российской академии наук","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22162/2587-6503-2024-1-29-88-104","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
文章论述了作为美学统一体的 P. P. 巴乔夫的事物世界。这位乌拉尔作家的《民间故事集》是一个独特的艺术世界,其结构是由几个基本对立面构成的。这个世界充满了各种事物,如生活用品(人们的日常生活)、衣服(社会地位、"我们与他们 "的区别)、手工艺工具(手工艺/工艺的关键主题)等。在这一客观世界中扮演特殊角色的是兼具生活用品、工艺品和魔法物品功能的手工艺品,以及从捐赠者那里获得的魔法物品本身,但这些物品的功能通常不同于它们在童话中的对应物,它们是俄罗斯传统民间传说和基于民间传说故事的文学童话中的常见物品。巴乔夫的 "形象-事物 "体系还包括一个特定的 "人-事物 "类别,该类别与书中描绘农奴制矿业文明的主要矛盾有关。总体而言,《孔雀石匣》中事物世界的特殊性在于斯卡兹体裁的 "边界 "性质、与民间传说的复杂关系以及巴乔夫美学实验的独特性。
The Poetics of Things in the Book of Skaz (Folk Tales) «The Malachite Casket» by P. P. Bazhov
The article deals with P. P. Bazhov’s world of things as an aesthetic unity. The book of skaz (folk tales) of the Ural writer is a unique artistic world, the structure of which is defined by a system of several basic oppositions. It is a world extremely full of things, such as household items (people’s everyday lives), clothes (social status, the «us-them» divide), instruments and tools of craft (key topics of handicraft / craftsmanship) etc. A special role in this objective world is played by artisan products that combine the functions of a household item, an artefact and a magical object, and magical objects per se that are received from a donor but are usually different in function from their proper fairytale counterparts, which are common to the traditional Russian folklore and literary fairytales based on folklore stories. Bazhov’s system of images-things also includes a specific «human as a thing» category that is connected with the main conflicts of the book depicting serfdom-based mining civilization. Generally, the peculiarity of the world of things in «The Malachite Casket» is defined by the «borderline» nature of the skaz genre, its complex relationship with folklore and the unique character of Bazhov’s aesthetic experiment.