杜拉斯(M. Duras)《L'Amante Anglaise》中的事物诗学:从证据到减法

Olga Fedunina
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摘要

本文探讨了杜拉斯(M. Duras)的小说《La menthe anglaise》中描写事物的结构和功能特点。在分析框架内,本文指出,作为犯罪情节线索的事物的传统功能在这里被另一种不那么明显的功能所吸收,这种功能与寻找关于谋杀真正原因的 "正确问题 "有关。在日常纯粹的物质世界中,"摆脱 "作为其存在痕迹的事物,既发生在叙事层面,也发生在情节层面。物失去了外部的实例,只在一些清单中保留了它的名字,它实际上被词语、被语言所吞没。杜拉斯的小说与犯罪文学传统和法国 "新小说 "之间的关系,即与 "新小说 "的基本原则之一--对事物(le chosisme)的细致描写--超越了语义和符号的联系,与事物本身完全相同--的关系,通过所发现的奇异之处得到了更全面的描绘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Poetics of the Thing in M. Duras’s L’Amante Anglaise: From Evidence to Minus-device
The paper considers the structural and functional specifics of the portrayal of things in the novel “La menthe anglaise” by M. Duras. In the framework of the analysis it is stated that the traditional for criminal plot function of a thing as a clue is absorbed here by another, less obvious and related to the search for the “right question” about the true reason of the murder. The “getting rid” of things as traces of their presence in the everyday, purely material world takes place both at the narrative and plot scales. Having lost its external instantiation, having retained only its name in a few lists, the object is actually swallowed up by the word, by speech. The detected singularities give a fuller picture of the correlation of M. Duras’s novel with the traditions of criminal literature and the French “new novel”, namely with one of its basic principles, the detailed depiction of things (le chosisme) beyond semantic and symbolic connections, as identical to themselves.
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