托尔斯泰小说《伊凡-伊里奇之死》中作为形成心理主义手段的物质环境

Irina Babenko, Dmitry Shabelsky
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摘要

本文研究了托尔斯泰《伊凡-伊里奇之死》中物质环境的具体情况,将其作为形成心理主义的途径之一。作品中充满物质细节的艺术世界,一方面是主人公内心世界的特征,另一方面,它又成为行动的积极参与者,最终导致了伊凡-伊里奇的死亡。故事展现了一个特殊的 "坟墓之家 "的形象,与之形成鲜明对比的是 "房子"--一个力量、团结、和谐的地方,就像早先的作品(《战争与和平》、《安娜-卡列尼娜》)一样。伊万-伊里奇的家被布置得过分用心,充斥着大量的东西,这些东西造成了一种 "叛逆",加速了主人的离去,使他最后的日子难以忍受,甚至在他死后,还分散了前来送别的人的注意力。故事中的事物似乎是生活中不可或缺的一部分,它们夺走了人们的生命力,而人们选择了没有灵魂的生活,成为这些事物和外在光鲜的人质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Material Environment as a Means of Forming Psychologism in L. N. Tolstoy’s Novel “The Death of Ivan Ilyich”
The article examines the specifics of the material environment in the story by L. N. Tolstoy “The Death of Ivan Ilyich” as one of the ways of forming psychologism. The artistic world of the work, saturated with material details, on the one hand, characterizes the inner world of the hero, on the other hand, it becomes an active participant in the action, ultimately causing the death of Ivan Ilyich. The story presents a specific image of a house-grave, in contrast to a house - a place of strength, unity, harmony, as in earlier works (“War and Peace”, “Anna Karenina”). Ivan Ilyich’s home, furnished with excessive attention, is filled with a huge number of things that create a kind of “rebellion,” hasten the owner’s departure, make the last days unbearable, and even after his death, distract the attention of those who came to say goodbye. Things in the story appear as an integral part of life, taking away vitality from people who have chosen a soulless existence and become hostages of these very things and external gloss.
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