教育学和文化研究视角下的敦煌非物质艺术:跨文化教育与文化身份建构的创新实践

Ziyi Lian
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摘要

本文旨在探讨敦煌非物质文化遗产艺术在跨文化教育领域的创新实践及其在文化认同建构中的作用。首先,文章强调了敦煌非物质文化遗产艺术作为中国传统文化重要载体和国际文化交流桥梁的地位,并在全球化背景下,重点探讨了敦煌非物质文化遗产艺术如何推动教育体制创新,在全球跨文化对话中发挥关键作用;然后,从文化研究的角度,探讨敦煌非物质文化遗产艺术在全球化进程中的作用及其对个人和集体文化身份的影响,揭示其在维护文化多样性、促进跨文化交流和理解、增强地方文化认同以及塑造中国的世界文化形象等方面的贡献;最后,通过对成功案例的实证分析,提炼出敦煌国画院跨文化教育的实践经验和成功要素。最后,通过对成功案例的实证分析,提炼出敦煌非遗艺术跨文化教育的实践经验和成功要素,总结出敦煌非遗艺术与教学法、文化研究相结合,对于丰富现代教育内涵、促进文化认同建构、推动世界文化多样性繁荣发展具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dunhuang Intangible Arts in the Perspective of Pedagogy and Cultural Studies: Innovative Practices of Intercultural Education and Construction of Cultural Identity
The purpose of this article is to discuss the innovative practice of Dunhuang intangible cultural heritage arts in the field of intercultural education and its role in the construction of cultural identity. Firstly, the article emphasizes the status of Dunhuang intangible cultural heritage art as an important carrier of Chinese traditional culture and a bridge of international cultural exchange, and in the context of globalization, focuses on how Dunhuang intangible cultural heritage art can promote the innovation of the education system and play a key role in global intercultural dialogue; secondly, based on the pedagogical point of view, it elaborates in detail on the way of integrating Dunhuang intangible cultural heritage art into the modern education system as well as the specific application and transformation in order to Then, from the perspective of cultural studies, it explores the role of Dunhuang NFA in the process of globalisation and its impact on individual and collective cultural identities, and reveals its contribution to the maintenance of cultural diversity, the promotion of cross-cultural exchanges and understanding, the strengthening of the local cultural identity, and the shaping of China's global cultural image; lastly, it extracts the practical experience and successful elements of cross-cultural education of Dunhuang NFA through the empirical analysis of the successful cases. Finally, through empirical analyses of successful cases, the practical experience and successful elements of intercultural education of Dunhuang non-heritage art are extracted, and it is concluded that combining Dunhuang non-heritage art with pedagogy and cultural research is of great significance in enriching the connotation of modern education, promoting the construction of cultural identity, and fostering the prosperity and development of global cultural diversity.
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