在死亡中心的《契诃夫的第一部戏剧》（2015）和蒂姆-克劳奇与拉差娜-贾达夫的《立即集体立即地球救赎》（2019）中上演的台下影像、报告的台上行动和平行的虚构世界

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2024-05-10 DOI:10.1080/10486801.2024.2305430

Georgina Guy

引用次数: 0

摘要

这篇文章论述了当代剧本表演中图像、文字和语言的碰撞如何揭示了戏剧中的一些重要现象以及对戏剧的思考。文章探讨了当代剧本表演中图像、文字和言语的碰撞如何揭示了戏剧的存在和思考的重要意义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Enacted Offstage Images, Reported Onstage Action, and Parallel Fictional Worlds in Dead Centre’s Chekhov’s First Play (2015) and Tim Crouch and Rachana Jadhav’s Total Immediate Collective Imminent Terrestrial Salvation (2019)

This essay addresses how the collision of image, text, and speech in contemporary scripted performances discloses something significant about both being in and thinking about the theatre. It examin...

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.