巴托洛梅-埃斯特万-穆里略创作的《大天使拉斐尔与多蒙特主教》（1680 年）中对硬皮病的错误诊断

Q3 Medicine

Ethics, Medicine and Public Health Pub Date : 2024-01-01 DOI:10.1016/j.jemep.2024.100985

N. Kluger , M. Prilutskaya

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引用次数: 0

摘要

三十年前，一群学者认为在塞维利亚画家巴托洛梅-埃斯特万-穆里略（1617-1682 年）的杰作《大天使拉斐尔与多蒙特主教》（1680 年）中发现了系统性硬皮病的特征。然而，2003 年至 2006 年对这幅艺术品的修复表明，坐着的人并没有硬皮病的特征，所有疑似病变都只是伪造的。这个案例说明，在进行圣像诊断时，必须谨慎行事，并进行适当的背景调查。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Erroneous diagnosis of scleroderma in Archangel Raphael with Bishop Domonte (1680) by Bartolomé Esteban Murillo

Thirty years ago, a group of scholars believed to have identified features of systemic scleroderma in Archangel Raphael with Bishop Domonte (1680), a masterpiece by Seville-based painter Bartolomé Esteban Murillo (1617–1682). However, restoration of the artwork in 2003–2006 showed that the sitter had no feature of scleroderma and all the suspected lesions were merely artefactual. This case illustrates that caution and proper background work is warranted when it comes to iconodiagnosis.

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来源期刊

Ethics, Medicine and Public Health Medicine-Health Policy

CiteScore

2.20

自引率

0.00%

发文量

107

审稿时长

42 days

期刊介绍： This review aims to compare approaches to medical ethics and bioethics in two forms, Anglo-Saxon (Ethics, Medicine and Public Health) and French (Ethique, Médecine et Politiques Publiques). Thus, in their native languages, the authors will present research on the legitimacy of the practice and appreciation of the consequences of acts towards patients as compared to the limits acceptable by the community, as illustrated by the democratic debate.