"亚洲人的亚洲":通过大东亚共荣圈的宣传艺术重新审视泛亚洲主义

Andre Magpantay
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引用次数: 0

摘要

亚洲人的亚洲 "这一口号是大东亚共荣圈的核心理念,也是日本在对东亚、东南亚、南亚和大洋洲部分地区进行帝国主义统治时所宣传的口号。在不偏袒由此产生的历史发展和现实的情况下,我们通过大日本帝国为实现其统一亚洲的议程而扩散的宣传艺术和材料来重新审视泛亚主义。在艺术史和评论知识的帮助下,我们从 Guillermo(2001 年)、Bartmański、Alexander 和 Giesen(2012 年)以及 Ross(2002 年)的著作中汲取了图像分析理论,对六种特定的宣传艺术进行了分析。分析了三大主题:该领域的形象、日本领导下的该领域国家的集体认同以及共同繁荣的含义。这些主题有助于深入了解大日本帝国通过大东亚共荣圈宣传泛亚主义的发展历程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Asia for Asians”: Revisiting Pan-Asianism through the Propaganda Arts of the Greater East Asia Co-Prosperity Sphere
The slogan “Asia for Asians” has been a central concept of the Greater East Asia Co-Prosperity Sphere and propagated by Japan as it imperialized parts of East Asia, Southeast Asia, South Asia, and Oceania. Without bias to the resulting historical developments and realities, Pan-Asianism is revisited through the propaganda arts and materials proliferated by the Empire of Japan towards its agenda of a unified Asia. Aided by knowledge of art history and criticism, six specifically chosen propaganda arts are analyzed using theories of image analysis drawing from the works of Guillermo (2001), Bartmański, Alexander, and Giesen (2012), and Ross (2002). Three main themes are analyzed: the image of the sphere, the collective identity of the countries in the sphere under Japan, and the meaning of co-prosperity. The themes provide an insight into the development of Pan-Asianism as propagated by the Japanese Empire in its attempt towards Pan-Asianism through the Greater East Asia Co-Prosperity Sphere.
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