法国当代真人秀节目中的新帝国岛屿幻想：Koh-Lanta 案例

IF 0.1 4区艺术学 0 FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2024-04-04 DOI:10.3998/fc.5695

Marie Bellec

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引用次数: 0

摘要

本文探讨了法国真人秀节目《Koh-Lanta》中的文学元素。文章以电视真人秀理论为基础，论证了这一文学维度有助于新帝国元素的融入。Koh-Lanta》在岛屿幻想互文的多样性中铭刻了自己，使鲁滨逊神话与时俱进。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Neo-Imperial Island Fantasy in Contemporary French Reality TV: The Case of Koh-Lanta

This article examines the literary elements of the French reality TV show Koh-Lanta. Drawing on the theory of reality TV, it demonstrates that this literary dimension facilitates the incorporation of neo-imperial elements. Koh-Lanta inscribes itself in the diversity of the intertext of the island fantasy, keeping the myth of Robinson up to date.

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.