{"title":"亨利-詹姆斯小说《梅西知道什么》的银幕改编：业余电影话语作为机构电影话语的一种亚类型","authors":"Mariya Rarenko","doi":"10.21603/2782-4799-2024-3-1-40-46","DOIUrl":null,"url":null,"abstract":"Amateur film discourse is a new special subtype of discourse that has not yet been subjected to scientific research. Its participants have no special cinema education: they discuss the film industry based on their own life experience, ideas, and values. This work was part of the contemporary anthropocentric paradigm, where language comes to the fore as the most important property of human beings. The article identifies the genre of amateur film discourse using online Russian comments to the screen adaptation of Henry James’s What Maisie Knew (1897), directed by S. McGehee and D. Siegel (2012). The methods of comparison and discourse analysis revealed sincerity in the way the commentors evaluated their impressions. The commentors seemed focused on the plot and the action. The discourse was highly emotional and colloquial, filled with aposiopesis and rhetorical questions.","PeriodicalId":359429,"journal":{"name":"Virtual Communication and Social Networks","volume":"22 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Screen Adaptation of Henry James’s Novel What Maisie Knew: Amateur Film Discourse as a Subtype of Institutional Film Discourse\",\"authors\":\"Mariya Rarenko\",\"doi\":\"10.21603/2782-4799-2024-3-1-40-46\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Amateur film discourse is a new special subtype of discourse that has not yet been subjected to scientific research. Its participants have no special cinema education: they discuss the film industry based on their own life experience, ideas, and values. This work was part of the contemporary anthropocentric paradigm, where language comes to the fore as the most important property of human beings. The article identifies the genre of amateur film discourse using online Russian comments to the screen adaptation of Henry James’s What Maisie Knew (1897), directed by S. McGehee and D. Siegel (2012). The methods of comparison and discourse analysis revealed sincerity in the way the commentors evaluated their impressions. The commentors seemed focused on the plot and the action. The discourse was highly emotional and colloquial, filled with aposiopesis and rhetorical questions.\",\"PeriodicalId\":359429,\"journal\":{\"name\":\"Virtual Communication and Social Networks\",\"volume\":\"22 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-04-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Virtual Communication and Social Networks\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21603/2782-4799-2024-3-1-40-46\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virtual Communication and Social Networks","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21603/2782-4799-2024-3-1-40-46","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
业余电影话语是一种尚未经过科学研究的新的特殊话语类型。它的参与者没有受过专门的电影教育：他们根据自己的生活经验、想法和价值观来讨论电影业。这项工作是当代人类中心主义范式的一部分，在这一范式中，语言作为人类最重要的属性凸显出来。文章利用俄罗斯人对 S. McGehee 和 D. Siegel（2012 年）执导的亨利-詹姆斯的《梅西知道什么》（1897 年）改编银幕的在线评论，确定了业余电影话语的类型。比较和话语分析方法揭示了评论者评价其印象的方式是真诚的。评论者似乎专注于情节和动作。他们的话语高度情绪化和口语化，充满了歉意和反问。
Screen Adaptation of Henry James’s Novel What Maisie Knew: Amateur Film Discourse as a Subtype of Institutional Film Discourse
Amateur film discourse is a new special subtype of discourse that has not yet been subjected to scientific research. Its participants have no special cinema education: they discuss the film industry based on their own life experience, ideas, and values. This work was part of the contemporary anthropocentric paradigm, where language comes to the fore as the most important property of human beings. The article identifies the genre of amateur film discourse using online Russian comments to the screen adaptation of Henry James’s What Maisie Knew (1897), directed by S. McGehee and D. Siegel (2012). The methods of comparison and discourse analysis revealed sincerity in the way the commentors evaluated their impressions. The commentors seemed focused on the plot and the action. The discourse was highly emotional and colloquial, filled with aposiopesis and rhetorical questions.
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