"我的母亲制作电影来应对她的恶魔":面对常态

Shabnam Sukhdev
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引用次数: 0

摘要

我女儿的精神健康状况让我对她的诊断和康复产生了一些疑问,我想就此拍摄一部电影。 我有一个丰富的家庭档案,我把它称为我周围发生的一切的 "记录"。此外,我还带着自己的亲身经历和几年来与女儿病情的抗争:她的住院治疗以及与医生和治疗师的接触。 我之所以拍摄她,是因为我不知道该如何应对自己的处境。 直到十年后,我才得以观看 2007 年我在她发病期间拍摄的录像。 我开始质疑记录我女儿当时状态的道德理由;我还想调查导致她被诊断的情况。 如果我们继续生活在印度,她还会被诊断出来吗? 这些诱因是否与她破碎家庭的产物有关? 如何控制家族精神病史? 疾病的影响可以逆转吗? 精神疾病是现实还是社会的产物? 什么是正常? 我的女儿如何才能为自己的健康制定策略? 她怎样才能有效地参与主流社会,克服污名化和标签化? 艺术能否真正有助于应对精神疾病并促进康复过程? 我可以回答电影中的一些问题,而另一些问题将继续成为我们通过电影放映和小组讨论开展宣传工作的动力。[1] 事实证明,这不仅对我和女儿都是一次非常有力量的经历,而且还加强了我们之间的关系,超越了孝顺的纽带--让我们在直接的关注圈之外有了一个强大的目标。 [1] 您可以在网上找到自 2021 年影片上映以来举行的几次专题讨论会的链接。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"My Mother Makes Films to Cope with Her Demons": Confronting Normality
My daughter’s mental health condition had raised several questions about her diagnosis and recovery, and I wanted to make a film about it.  I had a rich family archive which I choose to call a ‘record’ of all that was going on around me. In addition, I was carrying my own lived experience and several years of struggle with my daughter’s condition: her hospitalizations and encounters with her doctors and therapists.  I was filming her because I didn’t know how else to cope with my situation.  I couldn’t watch the 2007 footage that I had shot during her episode until ten years after.  I began questioning the ethical reasons for documenting my daughter in that state; I also wanted to investigate the circumstances that led to her diagnosis.  Would she have ever been diagnosed if we had continued to live in India?  Could the triggers be related to her being the product of a broken home?  How can family history of mental illness be controlled?  Can the impact of illness be reversed?  Is mental illness a reality or is it a construct of society?  What is Normal?  How can my daughter claim agency in charting strategies for her own wellness?  How can she participate effectively in mainstream communities overcoming the stigma and labels?  Can art truly be instrumental in coping with mental illness and facilitate the healing process?  I could address some of the questions in the film, while others continue to be a driving force in our commitment to advocacy work through film screenings and panels.[1] This has not only proven to be a very empowering experience for both my daughter and myself, but also strengthened our relationship beyond the filial bond – giving us a strong purpose outside of our immediate circle of concern.   [1] You will find on-line links to several panels since the film’s release in 2021.
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