P'urhepecha 的纹理表达

Kate Bellamy, Martha Mendoza
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引用次数: 0

摘要

长期以来,在西方思想中,触觉与味觉和嗅觉一样被认为是 "低级 "感官之一(Classen,1997 年)。然而,最近的研究表明,这种排名并不是绝对的,感官的文化重要性及其在构建世界观中的作用是相对的,因此也是可变的(San Roque 等,2015 年)。Winter(2019: 191)还指出,触觉的语义复杂性很高,因为它是跨模态语言使用中一个频繁出现的源域,例如粗糙的声音。然而,在语言学描述中,触觉语言在很大程度上被忽视了(参见 Essegbey 2013)。本文专门研究了墨西哥西部的一种孤立语言 P'urhepecha(普尔赫佩查语)中的纹理语言,重点是通过使用 "纹理手册"(Majid 等人,2007 年)获得的术语。回答显示了两种主要的形态句法策略:(i) 由表达质地的词根构成的术语,进一步细分为形容词和动词形式;(ii) 可大致翻译为英语中 "like "的各种比较结构。总共使用了十个词根,但其中三个词根占主导地位:ch'era-'粗糙'、sanu-(及其变体 sunu-)'毛茸茸'和 pitsï-(及其变体 pichi-)'光滑'。这些词根描述了所有十种刺激材料,而次要的、较少出现的词根的参照范围较窄。虽然还需要进一步的调查才能更好地了解这一词汇领域,但我们对普尔赫佩查语中纹理术语的初步研究为极少数研究这一语言学领域的资料提供了补充,同时也加深了我们对该语言复杂的词形和接触诱发特征的了解(参见 Chamoreau 2012)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The expression of texture in P’urhepecha
Alongside taste and smell, touch has long been considered one of the ‘lower’ senses in much of western thought (Classen 1997). However, more recent research indicates that this ranking is not absolute, but that the cultural importance of the senses and their role in constructing worldview is relative, and thus variable (San Roque et al. 2015). Winter (2019: 191) also remarks that touch is high in semantic complexity because it is a frequent source domain in cross-modal language use, for instance, rough voice. Nevertheless, the language of touch has largely been ignored in linguistic description (cf. Essegbey 2013). This paper specifically investigates the language of texture in P’urhepecha, an isolate spoken in western Mexico, focusing on terms obtained by employing the “texture booklet” (Majid et al. 2007). Responses revealed two main morphosyntactic strategies: (i) terms formed from a root that expresses a texture, further subdivided into adjectival and verbal forms, and (ii) a variety of comparison constructions that can be broadly translated by ‘like’ in English. Ten roots were employed overall, but three of them dominated: ch’era- ‘rough’, sanu- (and its variant sunu-) ‘woolly’, and pitsï- (and its variant pichi-) ‘smooth’. These describe all ten of the stimulus materials, whereas the minor, less frequent roots, had narrower reference. While further investigation is needed to gain a better understanding of this lexical domain, our preliminary study of texture terms in P’urhepecha adds to the very few sources that have investigated this area of linguistic inquiry, and also deepens our knowledge of the complex morphology and contact-induced features of the language (cf. Chamoreau 2012).
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