W. H. Auden 的《无名公民》和 Salah Abdel Sabour 的《冬日之歌》中的荒谬视角:比较研究

Mustafa Talib Jawad
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摘要

本文主要比较两部诗歌文本,即 W. H. Auden 的《无名公民》和 Salah Abdel Sabour 的《冬之歌》。比较是根据阿尔伯特-加缪的荒诞派原则完成的。这是一项比较研究,从两首诗的特定视角出发,找出其中的异同。研究论证了这两首诗中所体现的现代人形象。论文还研究了这些诗人如何运用象征性语言来表达他们对现代人现在和未来的情感和情绪;这是对被抽空了所有创造力的现代人生活的调查。最后,我们可以推断出,两位诗人笔下的个体都在抱怨自己已经离异,仿佛从未出生或来到过这个世界。生命中充满了无尽的苦难、痛苦、徒劳、空虚和束缚。因此,本文将对奥登提出的 "个人是否幸福和自由 "这一问题进行阐释。在这两部文学作品中,都可以看到幸福的消失,因为幸福是自由概念的重要组成部分。诗人认为,现代人并非完全自由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Absurd Perspectives in W. H. Auden’s The Unknown Citizen and Salah Abdel Sabour’s Winter Song: Comparative study
This paper has been concentrating on comparing between two poetic texts, W. H. Auden’s The Unknown Citizen and Salah Abdel Sabour’s Winter Song. The comparison is accomplished relying on principles of Albert Camus’ Absurdism. It is a comparative study that figures out differences and similarities considering specific perspectives in both poems. The study argues the images of modern man that have been embodied in these two chosen poems. The paper also studies how these poets employ symbolic language to express their sentiments and emotion toward the modern man in present and future; it is an investigation of the life of the modern man which is emptied from all creativity. Lastly, it infers that The individual presented by both poets complains that he/she has been divorced as if he/she is never born or come to the world. Life is filled with an endless suffering, pain, futility, emptiness, and restrictions. Therefore, the question which has been raised by Auden whether the individual is happy and free or not is explained in this paper. In both literary texts, the disappearance of happiness can be observed because happiness is a very part from the concept of freedom. The poets believe that the modern man is not totally free.
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