从草原到全球节拍:蒙古民族音乐融入中国流行音乐的研究

Menghao Yang
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引用次数: 0

摘要

本研究深入探讨了蒙古民族音乐与中国流行文化的融合,探讨了其历史渊源、音乐特点和当代表现形式。蒙古民族音乐植根于几千年的传统和游牧民族遗产,反映了蒙古民族的精神实质和丰富的文化内涵。通过研究蒙古音乐的古老起源、萨满教和佛教的影响以及现代发展,追溯了蒙古音乐的演变过程,展示了其旋律、节奏和音调的多样性。蒙古音乐流派和风格的分类,包括呼伦贝尔、锡林郭勒、鄂尔多斯和阿拉善风格,突出了地区差异和风格变化。此外,研究还通过腾格尔、韩磊和德格玛等著名音乐家的作品,探讨了蒙古民族音乐与中国流行音乐的融合,体现了传统旋律与现代情感的融合。乌兰图雅、齐峰和杨伟玲等当代艺术家以其独特的风格为中国流行音乐的多样化做出了贡献。这些探索强调了蒙古民族音乐作为传统之间桥梁的文化意义,在保护蒙古民族遗产的同时丰富了全球音乐景观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Grasslands to Global Beats: A Study of Mongolian Ethnic Music Integration in Chinese Pop
This study goes into the integration of Mongolian Ethnic Music into Chinese pop culture, exploring its historical roots, musical characteristics, and contemporary manifestations. Mongolian Ethnic Music, rooted in millennia of tradition and nomadic heritage, reflects the spiritual essence and cultural richness of the Mongolian people. Through an examination of ancient origins, influences of shamanism and Buddhism, and modern developments, the evolution of Mongolian music is traced, showcasing its diverse melodic, rhythmic, and tonal qualities. The classification of Mongolian music genres and styles, including the Hulunbuir, Xilingol, Ordos, and Alxa styles, highlights regional distinctions and stylistic variations. Furthermore, the study examines the integration of Mongolian Ethnic Music into Chinese pop through the works of renowned musicians such as Tengger, Han Lei, and Dege Ma, exemplifying a fusion of traditional melodies with modern sensibilities. Ulan Tuya, Qi Feng, and Yang Weiling represent contemporary artists contributing to the diversification of Chinese pop music with their unique styles. This exploration underscores the cultural significance of Mongolian Ethnic Music as a bridge between traditions, enriching the global music landscape while preserving the heritage of the Mongolian people.
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