穿普拉达的女魔头》中的女性主义和非女性主义元素及其在当代社会中的反映

Jiaen Li
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引用次数: 0

摘要

虽然女性在电影业中的代表性和被物化的程度较低,但近年来,越来越多的女性进入电影业,并带来了女性视角的叙事。在这样的社会背景下,根据同名小说改编的电影《穿普拉达的女魔头》首映了。本文分析了影片中的女性主义和非女性主义主题。经过对剧本、摄影和故事情节的分析,本研究发现,影片反映了女性主义主题,即时尚产业是一个非父权制产业,语言使用的性别化程度较低,时尚是一种赋权--并有效地揭示了社会对女性在生活和事业之间保持平衡的期望。然而,影片也对女性施加了刻板印象和物化,这体现在时尚行业对身体形象的严格规定以及男性角色对安德烈娅的注视上。本片中发现的问题,如对女性身体形象的严格要求,在当代社会中依然存在,可以开展更多的研究来尝试解决这一问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminist and Non-Feminist Elements in The Devil Wears Prada and Their Reflections in Contemporary Society
Although women are less represented and objectified in the film industry, in recent years, more women entered the film industry and are bringing in narratives from the female perspective. Under this social context, The Devil Wears Prada, a film based on the novel of the same name, premiered. This paper analyzes the feminist and non-feminist themes in the film. After analysis of the script, cinematography, and story plot, this research discovers that the film reflects on feminist themes the fashion industry as a non-patriarchal industry, less gendered use of language, and fashion as empowerment - and efficiently reveals societal expectations of women to maintain a balance between life and career. However, the film also imposes stereotypes and objectification towards women, as demonstrated in the fashion industrys strict rules for body image and gazes from male characters to Andrea. The issues identified in this film, such as strict body image for women, still exist in contemporary society, and more research can be done to try to address this problem.
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