在科技史中使用摄影:

Hugo Pereira
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引用次数: 0

摘要

自十九世纪上半叶发明以来,摄影一直被用来记录人类社会的各种特征。多年来,摄影一直被用作历史的说明工具,自 20 世纪 80 年代中期以来,摄影逐渐占据了主要资料来源的地位。在这篇文章中,我将从方法论的角度对科技史(包括医学和工程学)中使用摄影的问题进行补充。我认为,摄影为了解科学技术是如何实施、使用、表现和向公众展示的提供了一个独特的视角。我在巴特符号学的基础上提出了实用指南和理论框架,可供年轻学者和经验丰富的学者使用。我认为,这一建议有可能成为各种摄影收藏之间的共同标准,从而在不同的历史和地理背景下进行更广泛的比较。此外,它还促进了对摄影的批判性看法,即不应只看其表面价值,而应在其社会技术和技术科学背景下加以理解。这种反思当然有其缺陷和不足,自然也可以通过对摄影收藏的实际应用加以改进。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Using photography in history of science and technology:
Photography has been used to record different features of human societies since its invention in the first half of the nineteenth century. After years of being used as an illustrative tool in history, photography conquered its place as a primary source since the mid-1980s. In this article I add to this debate with a methodological approach to use photography in history of science and technology (including medicine and engineering). I argue that photography offers an exclusive view to understanding how science and technology were implemented, used, represented, and presented to the public. I offer both practical guidelines and a theoretical framework, based on Barthesian semiotics, which can be used by younger as well as by more experienced academics. I claim that this proposal has the potential to be used as a common denominator between assorted photographic collections and therefore to allow broader comparisons across different historical and geographic contexts. Moreover, it promotes the critical view of photography that should not be taken by its face value, but it should be understood within its sociotechnical and technoscientific context. This reflection certainly has its flaws and shortcomings, and it is naturally open to improvements, through its practical application to photographic collections.
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